dolorosa_12: (emily hanna)
This week has been absolutely excellent for people saying brilliant, eloquent, important things.

To journey is to be human. To migrate is to be human. Human migration forged the world. Human migration will forge the future, writes Ishtiyak Shukri in 'Losing London'. This was the post of the week for me, and affected me deeply.

We already have the table of contents, but now we have the cover of Athena Andreadis's To Shape The Dark anthology, illustrated beautifully by Eleni Tsami.

I really loved this interview of Aliette de Bodard by Rochita Loenen-Ruiz: I’ve come to realize that “appealing to everybody” is a codeword for bland, unobjectionable stuff; or at the very least for something that doesn’t challenge the reader; and, just as I like to be challenged when I read, I would in turn like to do that to my readers!

Speaking of Aliette de Bodard's writing, she's put 'In Morningstar's Shadow', the prequel short story to The House of Shattered Wings, up online for free. I read it last weekend and loved it.

I liked this essay by Marianne de Pierres on Australian myths in contemporary SF, but I've been worrying away at some of its conclusions for reasons I can't quite articulate. Certainly I appreciate the recognition of Australian writing's emphasis on the dystopian and post-apocalyptic, but I worry about her characterisation of the Australian landscape as universally barren, inhospitable and predatory. Let's just say it is not so to all inhabitants of Australia, and is not represented as such in the stories of all Australians, although it is a really significant theme in Australian literature.

Sophie Masson wrote on authors in a changing publishing landscape. I smiled a little ruefully at this quote:

When my last adult novel, Forest of Dreams, came out in 2001, I was commissioned to write a piece for a newspaper on the historical background of the novel (a paid piece), and reviews of the book appeared in several print publications, despite its being genre fiction. When The Koldun Code, also genre fiction, came out in 2014, I had to write several guest posts for blogs, do interviews for online publications (all unpaid) and reviews only appeared online.

I did not review this book, but I did interview Masson and review several of her YA works for print publications, where I was paid for my work. Now I retweet links to her articles and review things exclusively online for free. Oh, how times have changed!

Authors who are parents have been posting about the experience. There are too many posts to include here, but you can find links to all of them at the #ParentingCreating hashtag.

The latest of Kari Sperring's 'Matrilines' columns, on Evangeline Walton, is up. I've been finding these columns both illuminating - in terms of introducing me to many authors whose work sounds right up my alley - and disheartening, in that almost all of them were entirely new to me, instead of well-known figures in the SF canon.

I found this post by Samantha Shannon on judging a literary award to be a very interesting read.

In a departure from these posts' usual content, I have a music recommendation: CHVRCHES' new album Every Open Eye. It stops my heart, in the best possible way.
dolorosa_12: (emily hanna)
That title doesn't quite scan, but it will have to do.

Via Rochita Loenen-Ruiz, probably the best thing I've read all week: Nine Ways We Can Make Social Justice Movements Less Elitist and More Accessible, by Kai Cheng Thom. Really important stuff.

Read this essay by Sofia Samatar about being a black academic.

On a related note, Black Sci-fi Creators Assemble at Princeton and Imagine Better Worlds than This One, by Rasheedah Phillips.

Kari Sperring talks about justice, socialism, fantasy utopias, and Terry Pratchett.

Here's Alana Piper on the myth that 'women secretly hate each other'. Nothing throws me out of a story faster than female characters with no female friends, so this post was right up my alley.

Kate Elliott needs your help in a workshop on gender defaults in fantasy.

Shannon Hale writes about writing outside her culture. Note that at least one of the recommendations of books 'by Asian-American authors' is not by an Asian-American author, but rather, a Palestinian/Egyptian-Australian. It's still a good list.

Rochita Loenen-Ruiz interviews Zen Cho. I wait impatiently for my copy of Sorcerer To The Crown to arrive.

As always, the new posts at Ghostwords are a delight.

Two new reviews are up on Those Who Run With Wolves:

Vida Cruz reviews Of Sorrow and Such by Angela Slatter.

I review Space Hostages by Sophia McDougall.

It has been twenty years since two formative works of my teenage years, Philip Pullman's His Dark Materials trilogy, and the film Hackers, were released. Here's an interview with the Hackers director.

The Toast remains amazing. Two of my favourite recent posts: Dirtbag Milton (I remember studying him in uni and being furious about how badly he treated his daughters), and How To Tell If You Are In a Lai of Marie de France.

I hope your weekends are glorious.
dolorosa_12: (sleepy hollow)
Let us not talk of the UK election results - I have no words. Instead, let's talk about something much more pleasant: the return of my weekly linkposts!

Unlike the rest of my corner of the internet, I didn't have a massive problem with Avengers: Age of Ultron. Sophia McDougall and Sonya Taaffe probably get closest to articulating my own feelings on the subject.

Joyce Chng, David Anthony Durham and Kari Sperring (moderated by Vanessa Rose Phin) have some interesting things to say on 'Representing Marginalized Voices in Historical Fiction and Fantasy', at Strange Horizons.

Athena Andreadis talks about the uses and misuses of cultural traumas (in this case, her own, Greek culture) in fiction.

Aliette de Bodard talks about Dorothy Dunnett at Fantasy Book Cafe.

'For the Gardener's Daughter is a fabulous poem by Alyssa Wong, published in Uncanny Magazine.

On Sophie Masson's blog, Adele Geras talks about retelling fairytales.

One of my friends and former academic colleagues has started a blog looking at popular representations of monsters.

The History Girls is not a new blog, but it is new to me. It's the work of a group of women who are historical fiction writers.

Today is pretty grim, so I will leave you with footage of a koala roaming around a rural Victorian hospital.
dolorosa_12: (flight of the conchords)
This week's post is a little early, as my partner's parents are in town and I have to grab whatever time I have to myself when I can.

I really liked this essay by Kari Sperring in Strange Horizons. It's ostensibly about Katherine Kurtz, but its broader point is that the 'women who made fantasy [and science fiction]' keep getting ignored, erased or forgotten in the genre's history.

In a similar vein, Renay has written at Fantasy Book Cafe about recommendation lists that contain no women.

Also by Renay, a review of The Lynburn Legacy by Sarah Rees Brennan for Ladybusiness.

This post by Tumblr user allofthefeelings is a reaction to a very specific fandom situation, but I feel it has broader applicability, given that it talks about unexamined preferences, narrative default settings, and representation (within texts, of fandom and of fannish culture and preferences).

I have a not-so-secret love of '90s teen movies, so this post on Tor.com by Leah Schnelbach and Natalie Zutter about teen movies that adapt or draw on Shakespeare's plays was right up my alley.

Abigail Nussbaum reviews Spirits Abroad by Zen Cho for Strange Horizons.

Here's an interview with Zen Cho by Sharmilla Ganeson in The Star.

My friend Raphael Kabo wrote this poem called 'Axis' for Noted Festival. He writes a lot about identity, alienation and place, which are themes very dear to me.

Still on the theme of poetry, Athena Andreadis shared an older post on Sapfó (Sappho) of Lésvos.

This is a raw, emotionally honest post by Rochita Loenen-Ruiz about the struggle to find her voice and courage after ill-treatment, silencing and the twisting of her words and judgement of her actions. I continue to be awed by her words, bravery and determination. SFF needs more people like her.

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dolorosa_12: (Default)
rushes into my heart and my skull

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