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dolorosa_12) wrote2011-08-23 08:05 pm
dolorosa_12) wrote2011-08-23 08:05 pm
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Three unpopular fannish opinions
I seem to be on a bit of a blogging roll right now, so here's a post about three things I've been musing about in relation to various things I've been reading in recent times.
1. I still find Buffy empowering, in spite of everything
Let's get this out of the way. Buffy fails on numerous occasions in matters of race, sexuality and even the feminism which its creator, Joss Whedon, claims. I personally think its storytelling is excellent, but I know numerous people who find it deeply problematic and even hurtful, with good reason. It is, to me, an example of a flawed story that nonetheless never fails to speak to me, and I know that I have in the past excused or failed to recognise its flaws due to ignorance.
Chief among these flaws is one that feminists often raise in relation to all of Whedon's work: he ostensibly writes stories about 'empowered' women whose source of empowerment is overcoming some kind of trauma, usually a literal or metaphorical rape.
And yet, for me, as a teenager and young woman, I found that particular story, especially as it was told in Buffy, extremely empowering. Despite having a relatively calm adolescence, with nothing worse than low-level bullying, I always felt broken (and indeed in my early 20s actually sought out situations that would give me an excuse for this brokenness). As such, the idea that out of brokenness came strength was incredibly empowering for me. I know now that we need stories about women whose strength is not simply an act of revenge, a side-effect of abuse or destruction, but back then, Buffy's was a story I needed to be told.*
2. Leave Twihards alone!
On a related note, I think the bashing of Twilight fans needs to stop. This is not because I think Twilight is a wonderful story, or that it's a terrible story but this somehow doesn't matter because it's 'light, fluffy entertainment' (nothing is 'just a story', and nothing is above criticism). It's because if I had been twelve, or fourteen or even eighteen when Twilight came out, hell, I would've been a fan too, and I think those of us who were introverted and 'only ever fell in love with fictional men' need to show a bit more empathy and compassion.
You know how I said I felt 'broken' as a teenager? Well, I used to think the solution to that 'brokenness' was an all-consuming, all-sacrificing, transformative love. I read just the kinds of books to feed my rescue fantasy, and I thought if the right guy (always someone 'dangerous' and 'damaged') would walk through the door, all my troubles and angst would be over. As a fifteen-year-old girl, it's a powerful idea: that true love is obsessive and dramatic and will cause you to change completely, and Twilight simply taps into that idea. As a teenager I was reading Cecilia Dart-Thornton and Sara Douglass and Juliet Marillier and a whole host of other female romantic fantasy writers who fell under the umbrella of 'Celtic-inflected historical fantasy', and who am I to say that they were any less damaging to my ideas about romance and relationships than Twilight?
I'm not saying that we should throw our hands in the air and give up criticising Twilight. No, we should criticise it until Stephenie Meyer is no more than a distant spot on the horizon of the YA corpus. But we should stop thinking of Twilight fandom as a new phenomenon and recognise that many of us read equally problematic books as teenagers, and gained equally disturbing beliefs about relationships because of them.
3. Hufflepuff and proud
I'm a self-sorted Hufflepuff, and actually only want to join Pottermore so that I can have this sort of officially confirmed. (I'm sad, I know, I know.) And while I know I'm overinvesting, it does make me sad (even though I know it's all done in humour), when people like The Last Muggle persistently bash my beloved house and the qualities that it epitomises.
This criticism does have some validity. After all, loyalty - the key Hufflepuff trait - does have a dark side, as one may be blindly loyal and supportive where he or she should be constructively critical or antagonistic. But I think that kindness, compassion, hard work, fairness and loyalty are unjustly underrated, and that these are qualities (kindness in particular) that we ought to demonstrate, not mock or belittle.
In any case, it seems to me that the whole Potter series is, in fact, arguing for a less rigid separation into houses, since people don't tend to only embody the traits of one House, but rather possess them all in varying proportions. Ultimately it takes representatives of all Houses, and the utilisation of the myriad traits they embody, to destroy the Horcruxes, not Gryffindor bravery alone. We are composite beings.
But then that's probably just me being earnest like the Hufflepuff I am.
_________________________
*Also, I rewatched Season 6 - not a fan favourite - at a time in my life when I really needed it, and I seem to be alone among fans in thinking that it was a well-executed season whose story perfectly matched where the characters were in their lives. (I do recognise, however, that many queer fans found the Willow/Tara storyline distressing and a betrayal, and, though they don't need my validation, I think they have a valid point.)
1. I still find Buffy empowering, in spite of everything
Let's get this out of the way. Buffy fails on numerous occasions in matters of race, sexuality and even the feminism which its creator, Joss Whedon, claims. I personally think its storytelling is excellent, but I know numerous people who find it deeply problematic and even hurtful, with good reason. It is, to me, an example of a flawed story that nonetheless never fails to speak to me, and I know that I have in the past excused or failed to recognise its flaws due to ignorance.
Chief among these flaws is one that feminists often raise in relation to all of Whedon's work: he ostensibly writes stories about 'empowered' women whose source of empowerment is overcoming some kind of trauma, usually a literal or metaphorical rape.
And yet, for me, as a teenager and young woman, I found that particular story, especially as it was told in Buffy, extremely empowering. Despite having a relatively calm adolescence, with nothing worse than low-level bullying, I always felt broken (and indeed in my early 20s actually sought out situations that would give me an excuse for this brokenness). As such, the idea that out of brokenness came strength was incredibly empowering for me. I know now that we need stories about women whose strength is not simply an act of revenge, a side-effect of abuse or destruction, but back then, Buffy's was a story I needed to be told.*
2. Leave Twihards alone!
On a related note, I think the bashing of Twilight fans needs to stop. This is not because I think Twilight is a wonderful story, or that it's a terrible story but this somehow doesn't matter because it's 'light, fluffy entertainment' (nothing is 'just a story', and nothing is above criticism). It's because if I had been twelve, or fourteen or even eighteen when Twilight came out, hell, I would've been a fan too, and I think those of us who were introverted and 'only ever fell in love with fictional men' need to show a bit more empathy and compassion.
You know how I said I felt 'broken' as a teenager? Well, I used to think the solution to that 'brokenness' was an all-consuming, all-sacrificing, transformative love. I read just the kinds of books to feed my rescue fantasy, and I thought if the right guy (always someone 'dangerous' and 'damaged') would walk through the door, all my troubles and angst would be over. As a fifteen-year-old girl, it's a powerful idea: that true love is obsessive and dramatic and will cause you to change completely, and Twilight simply taps into that idea. As a teenager I was reading Cecilia Dart-Thornton and Sara Douglass and Juliet Marillier and a whole host of other female romantic fantasy writers who fell under the umbrella of 'Celtic-inflected historical fantasy', and who am I to say that they were any less damaging to my ideas about romance and relationships than Twilight?
I'm not saying that we should throw our hands in the air and give up criticising Twilight. No, we should criticise it until Stephenie Meyer is no more than a distant spot on the horizon of the YA corpus. But we should stop thinking of Twilight fandom as a new phenomenon and recognise that many of us read equally problematic books as teenagers, and gained equally disturbing beliefs about relationships because of them.
3. Hufflepuff and proud
I'm a self-sorted Hufflepuff, and actually only want to join Pottermore so that I can have this sort of officially confirmed. (I'm sad, I know, I know.) And while I know I'm overinvesting, it does make me sad (even though I know it's all done in humour), when people like The Last Muggle persistently bash my beloved house and the qualities that it epitomises.
This criticism does have some validity. After all, loyalty - the key Hufflepuff trait - does have a dark side, as one may be blindly loyal and supportive where he or she should be constructively critical or antagonistic. But I think that kindness, compassion, hard work, fairness and loyalty are unjustly underrated, and that these are qualities (kindness in particular) that we ought to demonstrate, not mock or belittle.
In any case, it seems to me that the whole Potter series is, in fact, arguing for a less rigid separation into houses, since people don't tend to only embody the traits of one House, but rather possess them all in varying proportions. Ultimately it takes representatives of all Houses, and the utilisation of the myriad traits they embody, to destroy the Horcruxes, not Gryffindor bravery alone. We are composite beings.
But then that's probably just me being earnest like the Hufflepuff I am.
_________________________
*Also, I rewatched Season 6 - not a fan favourite - at a time in my life when I really needed it, and I seem to be alone among fans in thinking that it was a well-executed season whose story perfectly matched where the characters were in their lives. (I do recognise, however, that many queer fans found the Willow/Tara storyline distressing and a betrayal, and, though they don't need my validation, I think they have a valid point.)
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HDU BRAN/LIADAN FOREVAH!!11!!
(I always find the mention of Sara Douglass inexplicably hilarious, becuase when I was a tweener and just getting into the adult fantasy/sci-fi section, her blurb was on every single book. So whenever I saw her recommending something, I'd be like "OH LOOK, SARA DOUGLASS LIKES IT.")
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Then again, some of the (technically) canon stuff regarding the houses and everything is...disconcerting. I came across a Pottermore spoiler for those sorted into Ravenclaw, and the prefect was going on and on about how Ravenclaws were all accepting, especially of the eccentric and whatever, and then proceeds to put down Hufflepuff house :|
I'm probably a Hufflepuff myself, though I definitely share traits with the other houses, and not all the Hufflepuff traits fit me. And that's how it is for most people, in canon and out. In the books, all we know about the other houses is from Harry's point of view, which is clouded by other people's opinions because he's still just a kid, and now all the readers are taking Harry's views as fact without bothering to form their own opinions (other than "their" house is moar better - which, btw, I'm getting a kick out of the identity crisis secrets on f!s thanks to Pottermore).
I don't know. I'm just here to say I hear ya.
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I was talking to someone tonight about Pride and Prejudice and how really Darcy and Elizabeth are just all kinds of fucked up. He's rude to her, then suddenly falls violently in love with her and she's grossed out, then decides he's better than the other losers around her. I mean yes, comparatively better than Wickham (who goes around ruining the reputations of young girls) and more backbone than Bingley, but I'm sure Lizzie could have done better. Or just ended up on her own!
I know, it was the times too. She did well for herself finding such a rich man with a great house. Ugh.
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I was 18 when Twilight came out. The book not the movie. I read it before it was popular, found it entertaining and could have sworn that at the end Bella was turned into a vampire at prom. That was how my brain took the ending. I told my coworkers that it was going to be popular because you get very emotional reading it and its very escapist and fluffy. I was right. I think Twihards are interesting because they are so passionate about this and half the time it seems like they are reacting to the hatred. I know the answer is probably most aren't but it still stands that they are more vocal about their love and how much better it is based off of what people hate rather than their like at times.
There are also degrees of broken and, well, I know I'm broken for a lot of reasons but I'm working on that.
I hate any form of House bashing and this is coming from a slightly reluctant to admit Gryffindor. I never really think I'm that brave but I also have the bad qualities of Gryffindors of being stubborn and impulsive and thinking I need to be the leader. Hufflepuff presents a problem in the series as the two very promonate examples are Cedric Diggory and Ernie MacMillian. Both are very different characters and I kind of like Ernie better. He makes Hufflepuff so much more like the other Houses with his prejudices and his actions. Sure he's loyal but he also has a backbone and does things.
I also keep forgetting Tonks was a Hufflepuff but that's from the Lexicon.
I also hate the assumptions that Slytherin means evil or even goth or dark. This might also be because I think Toph is an excellent example of a Slytherin because she's cunning and ambicious but not only uses her skills for herself but also for what she believes is the best option (I also think Aang is a Hufflepuff).
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