![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
It's definitely time for a linkpost
Aug. 7th, 2014 04:05 pmI saw Guardians of the Galaxy two days ago, and, a couple of quibbles with certain narrative choices aside, thoroughly enjoyed it. I don't really have much to say on the matter, but my friends ![[tumblr.com profile]](https://www.tumblr.com/favicon.ico)
jimtheviking and shinyshoeshaveyouseenmymoves have been having a very interesting conversation about it which I felt was worth sharing. Expect spoilers for the whole film.
This review of The Magicians by Lev Grossman by Choire Sicha doesn't really make me want to read the series, but makes a couple of points about writing women in fantasy literature that really resonate with me:
“When I was writing the story in 1969, I knew of no women heroes of heroic fantasy since those in the works of Ariosto and Tasso in the Renaissance. … The women warriors of current fantasy epics,” Le Guin wrote in an afterword of The Tombs of Atuan, “look less like women than like boys in women's bodies in men's armor.” Instead, Le Guin wouldn't play make-believe, and her women were sometimes vulnerable, including physically. She refused to write wish fulfillment, even the wish fulfillment many of us crave.
The first time I read the Earthsea quartet (as it was then), the stories of Tenar and Tehanu resonated with me in a way that was powerful and profound. I was fourteen or fifteen years old, and I think it was the first time I'd read stories that gave me a glimpse of how terrifying it was going to be to be a woman. They are not easy or comforting stories, and they showed a world that I was about to enter and told me truths I had at that point only dimly understood.
Here is a post at The Toast by Morgan Leigh Davies about attending the Marvel panel at SDCC. It made me deeply grateful that my fannish interest lies in characters and not actors.
This post by Mallory Ortberg at The Toast is deeply hilarious:
Far be it from me to criticize the tactics of modern union organizers, but frankly I think the world was a better place when tradesmen organized to agitate for their rights in the workplace and practice esoteric mind-controlling spells at the same time.
The Society of the Horseman’s Word was a fraternal secret society that operated in Scotland from the eighteenth through to the twentieth century. Its members were drawn from those who worked with horses, including horse trainers, blacksmiths and ploughmen, and involved the teaching of magical rituals designed to provide the practitioner with the ability to control both horses and women.
(As an aside, if you're not reading The Toast, you're missing out.)
Samantha Shannon has some good news. Her Bone Season series was intended as a seven-book series, but Bloomsbury had initially only committed to publishing three. But now they've gone ahead and confirmed that they will publish all seven. Samantha is awesome, as is the series, so I am thrilled.
Speaking of The Bone Season, I made a Warden/Paige fanmix on 8tracks. I go into more detail about the reasons behind my choice of songs here.
The![[twitter.com profile]](https://p.dreamwidth.org/e0caa790ec10/-/twitter.com/favicon.ico)
PreschoolGems Twitter account is one of the most fabulous things ever to exist on the internet.
This particular A Softer World gives me life.
This review of The Magicians by Lev Grossman by Choire Sicha doesn't really make me want to read the series, but makes a couple of points about writing women in fantasy literature that really resonate with me:
“When I was writing the story in 1969, I knew of no women heroes of heroic fantasy since those in the works of Ariosto and Tasso in the Renaissance. … The women warriors of current fantasy epics,” Le Guin wrote in an afterword of The Tombs of Atuan, “look less like women than like boys in women's bodies in men's armor.” Instead, Le Guin wouldn't play make-believe, and her women were sometimes vulnerable, including physically. She refused to write wish fulfillment, even the wish fulfillment many of us crave.
The first time I read the Earthsea quartet (as it was then), the stories of Tenar and Tehanu resonated with me in a way that was powerful and profound. I was fourteen or fifteen years old, and I think it was the first time I'd read stories that gave me a glimpse of how terrifying it was going to be to be a woman. They are not easy or comforting stories, and they showed a world that I was about to enter and told me truths I had at that point only dimly understood.
Here is a post at The Toast by Morgan Leigh Davies about attending the Marvel panel at SDCC. It made me deeply grateful that my fannish interest lies in characters and not actors.
This post by Mallory Ortberg at The Toast is deeply hilarious:
Far be it from me to criticize the tactics of modern union organizers, but frankly I think the world was a better place when tradesmen organized to agitate for their rights in the workplace and practice esoteric mind-controlling spells at the same time.
The Society of the Horseman’s Word was a fraternal secret society that operated in Scotland from the eighteenth through to the twentieth century. Its members were drawn from those who worked with horses, including horse trainers, blacksmiths and ploughmen, and involved the teaching of magical rituals designed to provide the practitioner with the ability to control both horses and women.
(As an aside, if you're not reading The Toast, you're missing out.)
Samantha Shannon has some good news. Her Bone Season series was intended as a seven-book series, but Bloomsbury had initially only committed to publishing three. But now they've gone ahead and confirmed that they will publish all seven. Samantha is awesome, as is the series, so I am thrilled.
Speaking of The Bone Season, I made a Warden/Paige fanmix on 8tracks. I go into more detail about the reasons behind my choice of songs here.
The
This particular A Softer World gives me life.
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif){kind=small}
