dolorosa_12: (Default)
Again, I've elected to roll the current [community profile] snowflake_challenge prompt into today's open thread, since it's a fun prompting question:

Share a favourite piece of original canon (a show, a specific TV episode, a storyline, a book or series, a scene from a movie, etc) and explain why you love it so much.

Snowflake Challenge promotional banner with image of metallic snowflake and ornaments. Text: Snowflake Challenge January 1-31.

I always feel a bit weird doing these, because all my fandoms of the heart are fandoms-of-one, the sorts of things that I'd be lucky to get given as gifts for Yuletide, and they have potentially offputting elements (teenage protagonists, a writing style people will either love or hate, divisive relationship dynamics, and so on). So I can talk about why I love them forever, but assume that no one will take me up on the recommendation, or not be hooked by the same things that first hooked me. A lot of these canons are things that I've loved unstintingly for three decades; they're a part of me — they've seeped into my bones, into the story I tell about myself.

I've written a lot of primers/manifestos/gushing walls of emotion over the years!

I've gathered a bunch behind the cut )

What about you? Feel free to link back to your own posts if you've already answered this prompt for Snowflake.
dolorosa_12: (Default)
This has been the first weekend in quite a while spent at home, without visitors, and without various time-consuming and exhausting household tasks to get done — and it has been wonderful. I've got a fairly full-on weeek coming up in terms of work, and having this brief, relaxing pause has been incredibly helpful.

It poured with rain all day yesterday, and Matthias and I got thoroughly soaked when heading out to the market, but we're now well stocked up on fresh fruit and vegetables, have picked up and returned various library books, and we were able to spend most of the remainder of the day hanging around inside, listening to the rain pour down around us. I felt bad for the stall-holders — not just at the market, but also at some kind of food festival taking place around the cathedral, since they would have been sodden, and would not have got much in the way of footfall.

Yesterday was also our wedding anniversary, and Matthias and I celebrated by going out for dinner and eating a ridiculous amount of sushi, which was delicious and cozy in the rain. We've also been revelling in all the various major works that have been done in our house over the past few weeks and are now finally complete: landscaping of the front garden, replacing the carpet on the stairs (the new stuff feels so soft and squishy underfoot), and having the tatty carpet in the living room, study and upstairs landing replaced with laminate. It all looks fantastic, and it's just such a relief to have it completed at last — what was there before was bothering me a lot, it was depressing to look at, and now it looks fresh, and clean, and new.

Other than all that, it's been a fairly quiet weekend. The weather today was nicer, so Matthias and I went out for a brief looping walk along the river, picking up takeaway coffee on the way home. Once I've finished catching up on Dreamwidth I'll go upstairs and do a slow, stretchy, calming yoga class.

Beyond all that, I've been doing my semi-annual reread of one of my favourite book series of all time, Sophia McDougall's Romanitas trilogy. I've already written so much about these books, in my two tags for the series; my default icon on Dreamwidth is a drawing by the author of one of the characters with a quote from the books about her, for many years I was the series' sole online fandom, trying to generate fannish enthusiasm through sheer force of will, to the extent that I got to know the author and she thanked me in the acknowledgements of the third book 'for being generally wonderful.' In other words, my feelings about these books are deep, and just a lot in general. It's not so much what the books are about, although obviously I like that too (alt-history contemporary Roman empire political conspiracy thriller in which a ragtag band of dispossessed and devalued people — some of whom have supernatural abilities — try to take on the might of an empire), it's also the way the books are written, and the way the point-of-view characters think about themselves and carry themselves through the world. Of the four main point-of-view characters, three have this intense interiority — they're in their own heads so much, with this instense, obsessive focus on their own thoughts and actions, and how they are perceived by the people around them — and the fourth point-of-view character is basically the opposite of that, and the other three are constantly baffled and astonished as to how he can be so comfortable and easy in his own skin, in the company of any other people, everywhere. All this, shall we say, resonates a lot.

And that, in essence, has been my weekend so far.
dolorosa_12: (Default)
The current [community profile] snowflake_challenge is one that I always find incredibly stressful: I don't really collect fannish merch (other than ... physical books? Dreamwidth icons?), and I'm completely incapable of taking decent photos of anything that isn't a) a tree or b) a body of water.

Snowflake Challenge promotional banner featuring an image of a chubby brown and red bird surrounded by falling snow. Text: Snowflake Challenge January 1-31.

So, with that disclaimer out of the way, here is the prompt:

In your own space, post the results of your fandom scavenger hunt. earch in your current space, whether brick-and-mortar or digital. Post a picture or description of something that is or represents:

1. A favorite character
2. Something that makes you laugh
3. A bookshelf
4. A game or hobby you enjoy
5. Something you find comforting
6. A TV show or movie you hope more people will watch
7. A piece of clothing you love
8. A thing from an old fandom
9. A thing from a new fandom

My photos can be found on Instagram. Edited to add that the bad-quality photos were stressing me out so much that I deleted the whole photoset from Instagram, so the link here will no longer work. The descriptions of the photos remain below.

I have merged several categories.

1. A favourite character — Noviana Una from Sophia McDougall's Romanitas trilogy. This is the back of a t shirt which is possibly the only piece of fannish merch I own, a quote from McDougall's book referencing Una. (A picture McDougall drew of her own character, plus this quote, forms my default Dreamwidth icon.)

2. and 3. Something that makes me laugh + a bookshelf — a small portion of the Terry Pratchett section of our bookshelves. This is only a small portion of our collection as a whole — my copies are all still at my mum's place in Australia, and many of Matthias's copies are still in Germany. At some point, we will have all the copies in the one place and may have to discard the duplicates.

4. and 5. A game or hobby I enjoy + something I find comforting — swimming swimming swimming. I am, as I have said many times, half woman half ocean. Swimming is the only thing that stills the sea inside.

6. A TV show or movie I wish more people would watch — Babylon Berlin

7. A thing from an old fandom — the final lines of Northern Lights, the first book in Philip Pullman's His Dark Materials trilogy. This isn't my oldest fandom, but it was my first experience of fandom as an online community, and the HDM forum I joined still remains my gold standard for online fannish spaces. It was the perfect welcome and introduction to fandom-as-shared activity.

8. A thing from a new fandom — the extant books from Pat Barker's Briseis-centric Iliad retelling trilogy.

I read three more short stories yesterday. All are free and online at the Tor.com website.

Short fiction )
dolorosa_12: (Default)
Via [personal profile] nyctanthes and a couple of others in my circle, I discovered this fun set of fandom-related questions created by [personal profile] squidgiepdx. The idea is that you answer one question a day for the first twenty days of June, and that's obviously not going to happen in my case, so instead I will answer them in batches until I've done the lot.

I should also preface this by saying that a lot of the questions apply to an approach to fandom that's very different to my own — for various reasons I gravitate towards tiny fandoms, and once I'm fannish about something those feelings never switch off, so 'being in fandom' for me tends to be a) a solitary activity and b) a permanent state of being in which new fandoms are added, but they never replace old fandoms.

Days 1-3 )

The other days )
dolorosa_12: (Default)
I'm kind of delightedly amused that yesterday, on the tenth anniversary of Ed Balls Day, the New York Times wrote an in-depth article about this meme that will not die. I'm even more delightedly amused that, as per Yvette Cooper, he apparently made a cake to commemorate this important moment of internet history.

Today is the penultimate day of the thirty-day book meme:

29. A book that led you home

My answer )

The last day )
dolorosa_12: (Default)
'That was what it was always for—?' said Sulien, his voice roughened and thick. 'That's what we were for, to do that for him?'
'Una had dropped with a shudder into Varius' arms, resting there with her eyes shut, as if she'd just crawled out of freezing water. She reached for Sulien's shoulder, and whispered, 'It's over now.'
'I could have killed him and not even hesitated,' Sulien said. 'This is worse.'
'No,' cried Maralah bitterly, 'no, it's far better than he deserves.'
'It was already there,' said Una, slowly. 'You could see that, couldn't you? He was doing it to himself. All we did was ... finish it.'
'Rome will be safe,' said Makaria, though her face looked pinched and paled. 'The war will end. Remember that, if it's difficult to bear.
Sulien nodded and muttered unevenly. 'Let's get away from him.'


— Sophia McDougall, Savage City

For context, this is the moment in a dystopian, alternate history trilogy in which a ragtag resistance army of abuse-surviving women, people who escaped from slavery, people of colour, and other dispossessed people defeat a crazed racist, rapist emperor (whose only experience with leadership prior to illegitimately taking power was to run one Olympic Games) who started a global war as a form of distraction, and has an arsenal of terrifying weapons.

Lest you think the metaphor is a bit heavy-handed, this book was published in 2011!
dolorosa_12: (Default)
Thirty Day Book Meme Day 2: Best bargain.

This was a tricky one, as I've not only bought lots of books at discounted prices over the years, but also spent a decade working as a book reviewer, which meant that I was both given books for free, and paid money to talk about them. So obviously all the books I reviewed during that time were, in some sense, a bargain. For this reason, I've chosen to interpret this question as asking not just which book I got for the cheapest price, but how much it gave back to me in terms of meaning, rereads, and enjoyment.

When interpreted in this way, the answer can be no other than Romanitas by [twitter.com profile] McDougallSophia. My editor was in the habit of going through the haul of books sent to the newspaper by various publishers, allocating some to the reviewers who covered that particular genre, and leaving out the rest in the staff tearoom for anyone to take. Romanitas fell in that latter category — my editor didn't think it looked good enough to review, so it was left out for anyone to claim for free. I read the book cover summary — a dystopian setting where the Roman Empire never fell, but rather spread to encompass most of the world — and read the first chapter (the funeral of the Emperor's brother and sister-in-law from the perspective of their grieving teenage son, awkward at the media circus surrounding his life and lonely against the weight of his own imperial inheritance), and then the second (a furious escaped slave fights for her life and that of her condemned prisoner brother), and realised I was hopelessly hooked. (It was also the first time I really understood shipping, because my first reaction, upon being introduced to the two point-of-view characters in those opening chapters, was 'I adore you both. Now kiss.')

I ended up devouring the book, and went on to review both its follow ups (thus acquiring them for free from the publisher as well), writing most of the fanfic on Ao3 that exists for this series (I think the other stuff was written for me as a Yuletide gift), and even ending up as something of a friend of the author, on the strength of being basically the only person who ever talked about these books online. ([wordpress.com profile] longvision is my long-defunct Romanitas trilogy fanblog, which I set up shortly after reading the first book.)

Noviana Una, the escaped slave character, ended up being my second favourite fictional character of all time — she's the person in my default icon, and I rather daggily had a T shirt printed with the words that are the title of this blog post, so as you can see I'm a hopeless obsessive about this series, and about this character in particular.

In other words, in terms of what this book — and series — has given me over the past twelve years, it was far and away the best bargain I've ever acquired!

The other days )
dolorosa_12: (emily hanna)
That title doesn't quite scan, but it will have to do.

Via Rochita Loenen-Ruiz, probably the best thing I've read all week: Nine Ways We Can Make Social Justice Movements Less Elitist and More Accessible, by Kai Cheng Thom. Really important stuff.

Read this essay by Sofia Samatar about being a black academic.

On a related note, Black Sci-fi Creators Assemble at Princeton and Imagine Better Worlds than This One, by Rasheedah Phillips.

Kari Sperring talks about justice, socialism, fantasy utopias, and Terry Pratchett.

Here's Alana Piper on the myth that 'women secretly hate each other'. Nothing throws me out of a story faster than female characters with no female friends, so this post was right up my alley.

Kate Elliott needs your help in a workshop on gender defaults in fantasy.

Shannon Hale writes about writing outside her culture. Note that at least one of the recommendations of books 'by Asian-American authors' is not by an Asian-American author, but rather, a Palestinian/Egyptian-Australian. It's still a good list.

Rochita Loenen-Ruiz interviews Zen Cho. I wait impatiently for my copy of Sorcerer To The Crown to arrive.

As always, the new posts at Ghostwords are a delight.

Two new reviews are up on Those Who Run With Wolves:

Vida Cruz reviews Of Sorrow and Such by Angela Slatter.

I review Space Hostages by Sophia McDougall.

It has been twenty years since two formative works of my teenage years, Philip Pullman's His Dark Materials trilogy, and the film Hackers, were released. Here's an interview with the Hackers director.

The Toast remains amazing. Two of my favourite recent posts: Dirtbag Milton (I remember studying him in uni and being furious about how badly he treated his daughters), and How To Tell If You Are In a Lai of Marie de France.

I hope your weekends are glorious.
dolorosa_12: (teen wolf)
The linkpost is early this week, as I'm going to be absolutely flat out all afternoon, and then away on various workshops and conferences. Oh, the glamorous librarian life!

I'll start with a few reviews and posts about books I loved, or books I'm very much looking forward to reading:

A joint review of Space Hostages by Sophia McDougall, at Booksmugglers.

Amal El-Mohtar reviews Sorcerer to the Crown by Zen Cho.

Zen Cho chats with Mahvesh Murad about the book.

She talks more about the book here.

Cindy Pon talks about her new book, Serpentine.

SFF in Conversation is one of my favourite columns at Booksmugglers. In it, various groups of writers sit down to discuss topics that are important to them. The most recent features Aliette de Bodard, Zen Cho, Kate Elliott, Cindy Pon, and Tade Thompson, and I highly recommend it.

This is the first part of a BBC radio programme about British folklore, monsters, and the landscape.

The reviews continue to pour in a Those Who Run With Wolves. Recent reviewers have been Leticia Lara, Athena Andreadis, and Aliette de Bodard.

Ghostwords has returned with a vengeance! The latest post sports a cornucopia of links, leading the reader off on an internet treasure hunt.

I very much appreciated this post on No Award about Indigenous (and other) seasonal calendars.

In case you missed it, I reviewed Karen Memory by Elizabeth Bear, The House of Shattered Wings by Aliette de Bodard, and The Girls at the Kingfisher Club by Genevieve Valentine. I loved them all.

Men Wearing A Military Helmet and Nothing Else in Western Art History: The Toast is a gift.

I hope your weekends are filled with as much fun stuff and opportunities for learning as mine will be.
dolorosa_12: (emily hanna)
Slightly flippant title, wildly inaccurate characterisation of my reasons for doing these linkposts. Over here I am gearing up for a much needed long weekend, after one of those weeks that just seem to go on and on and on.

Kate Elliott wrote a great post on 'Diversity Panels: Where Next'. I would encourage you to read (most of) the links that follow, particularly the panel discussion at The Book Smugglers, which I included in a previous linkpost.

Some (unintentionally Australian-centric) Hugos follow-up posts:

Liz Barr of No Award livetweeted the Hugos.

Galactic Suburbia did a podcast discussing the results.

On a less awesome note (in the sense of this needing to be said at all), Sumana Harihareswara responded to the use of the Hare Krishna chant in the Hugos ceremony in an extraordinarily open-hearted and giving way.

A lot of people were sharing this (old) 'How to (Effectively) Show Support' by Dahlia Adler. This part particularly resonated with me:

There is a really big difference between being a person who only rages and a person who both rages and makes a real move for change. And maybe people don’t realize that. Maybe they don’t get how. But I’m tired of seeing raging with no support counterbalance, and I’m tired of people thinking raging is enough without backing it up in a meaningful way. I’m tired of people not realizing how limiting the effects are when all you do is talk about who and what is doing things wrong and not who and what is doing things right.

(Incidentally, I think the first person I saw sharing the post was Bogi Takács, who very effectively shows support with regular roundups of #diversepoems and #diversestories recommendations.)

Aliette de Bodard has set up a review website, designed to host reviews of 'books we love, with a focus on things by women, people of colour, and other marginalised people'.

Here's Sophia McDougall doing a podcast with Emma Newman. My poor, Romanitas-loving heart hurt when Sophia talked about one particular scene in Savage City involving the Pantheon. (I know at least one friend is currently reading the series for the first time, so it might be wise to avoid this podcast until you've finished - it's mildly spoilery.)

More on the invisibility of older women authors, this time from Tricia Sullivan.

Ana has gathered some great, library-related links at Things Mean A Lot.

'Breakthrough in the world's oldest undeciphered writing'.

Via [personal profile] umadoshi, these photos of the world's oldest trees are really amazing.

I hope you all have wonderful weekends.
dolorosa_12: (le guin)
Well, it's been a while.

Chinelo Onwualu talks race, speculative fiction, and Afro SF.

Sophia McDougall's new book Space Hostages is out! I have my copy ready to read on my upcoming holiday! There is a book trailer, tumblr post and author interview!

Rather than linking to individual stories and essays, I'd like to simply direct you all to the latest issue of Uncanny Magazine. I've thoroughly enjoyed everything in it so far, in particular E Lily Yu's short story and Natalie Luhrs' column.

Two tables of contents for what look to be excellent anthologies:

To Shape the Dark (ed. Athena Andreadis).

Apex Book of World SF 4 (ed. Mahvesh Murad)

Here are two great Storifies on dealing with rejection, from authors Nalo Hopkinson and Elizabeth Bear, Rachel Manija Brown, Aliette de Bodard, Tobias Buckell, John Chu, Shveta Thakrar, Beth Bernobich, Jeremiah Tolbert and others. Rochita Loenen-Ruiz made both Storifies.

Rochita Loenen-Ruiz has revamped her books blog. The first post is a guest post by editor Didi Chanoch, talking about a new press he's launching.

This is a great interview with Aliette de Bodard.

I really appreciated this column by Renay about gatekeeping, fannish history and the SF 'canon'.

I also appreciated this interview with Kate Elliott.

I also loved Athena Andreadis' thoughts on Mad Max: Fury Road.

More on Fury Road: No Award's guide to Australian slang. That blog is a national treasure.

I hope you are all feeling wonderful.
dolorosa_12: (emily hanna)
This week's post goes from the sublime to the ridiculous (but mainly focuses on the sublime).

To start off, an absolutely fabulous roundtable on diversity. The participants are Aliette de Bodard, Zen Cho, M Sereno, Bogi Takács and JY Yang, moderated by Charles Tan.

Over at Ladybusiness, Renay has created a fabulous summer (or winter) reading recommendation list.

On a sadder note, Tanith Lee has died. Athena Andreadis has written a lovely tribute. Sophia McDougall shared an old anecdote about meeting Lee.

There are a lot of new updates at Where Ghostwords Dwell.

Sophia McDougall has posted an excerpt of Space Hostages, which will be published really soon.

You can enter a giveaway to win an ARC of House of Shattered Wings by Aliette de Bodard here.

I saw Mad Max: Fury Road this week and absolutely adored it. (If I had endless money and more time on my hands, I would have seen it at least five more times since Tuesday.) This essay by Tansy Rayner Roberts goes a long way towards explaining why.

I found this post by Kaye Wierzbicki over at The Toast very moving. (Content note: discussion of abortion.)

This is the last week of A Softer World and I am really not okay. This and this are probably my favourite recent comics of theirs.

Natalie Luhrs is reading what looks to be a terrible book for a good cause. I encourage everyone who has the ability to donate. I will be donating to an equivalent UK-based charity.

This post's title comes from my favourite Eurovision song this year, which didn't win. This did not bother me in the slightest.
dolorosa_12: (epic internet)
So. Lots of stuff to get through this week, as my corner of the internet has been particularly full of people doing wonderful, clever and awesome things.

Rochita Loenen-Ruiz had a busy week. Here's Rochita on the uses of anger, her new short story, and being interviewed for Lightspeed magazine's author spotlight.

Catherine Lundoff has had so many submissions to her 'Older Women in SFF' recommendations post that she's had to split it into two. Part one, part two.

I really liked this review of Zen Cho's writing by Naomi Novik.

This review by Sarah Mesle of the most recent episode of Game of Thrones made a lot of points I've been struggling to articulate. Content note for discussion of violence, abuse and rape.

I really appreciated this thoughtful post by Tade Thompson on safety, community and dissent.

Natalie Luhrs makes some really important points here:

This is part of the ongoing conversation about the importance of different voices in our community. About making space for people who have been told–explicitly and implicitly–that what they have to say isn’t worthwhile and that they need to sit down and listen and that someday, maybe, they’ll be allowed to speak.

This list of Best Young Australian novelists looks great, and reflects the Australia that I grew up in. Congratulations to all the winners!

I have to admit that the #hometovote hashtag has been making me cry.

I wrote two longish posts this week. One is over at Wordpress: a review of Station Eleven by Emily St. John Mandel. The other is here at Dreamwidth/LJ, and is a primer to Sophia McDougall's Romanitas trilogy.

My mother is a radio journalist. Her programme this week is on Eurovision, and you can listen to it here (not geoblocked). There are additional features . I am an unashamed Eurovision fan, and as you can see, it runs in the family.

Texts from Hieronymous Bosch made me laugh and laugh.

Happy Friday, everyone.
dolorosa_12: (Default)
This was initially going to be a comment on [personal profile] dhampyresa's blog, but it occurred to me that I spend way too much time bouncing around the internet, trying to convince people to read the Romanitas trilogy, and it would be nice to have one post about it that I can refer back to on later occasions. So consider this a rather flaily, incoherent primer.

It helps, I think, if you understand something about my tastes in stories. I will read or watch just about any iteration of story that engages with ideas of power, privilege and dispossession: who has power, and why, and who is dispossessed by that power, and why. But I need the stories to do something more: they need to place the blame for inequality and dispossession where it truly lies, on an institutional level, and on individuals within such institutions. The stories need to centre the dispossessed, although it's an added bonus if they consider the various ways in which power, empire and privilege corrupt and dehumanise those who benefit from them. And they need to show that the strength of the dispossessed lies in them finding common ground, making common cause, dismantling the systems that oppress them, supporting one another, carving out spaces in which they are able to safely assert their humanity.

It's for this reason that I keep returning to the Pagan Chronicles by Catherine Jinks, the works of John Marsden, Galax Arena by Gillian Rubinstein and the other powerful, formative books of my childhood. It's for this reason that shows like Pretty Little Liars, Orphan Black, Avatar: The Last Airbender and Orange Is The New Black have resonated so strongly with me. In various ways, they explore these vital ideas. Their characters are the dispossessed, whether they be Christian Arab squires thrown into exile by the Third Crusade (or the Cathar heretic daughter of said squires, traumatised by the politics of thirteenth-century Languedoc), teenage resistance fighters, children stolen off the streets to artificially extend the lives of the super-rich, bullied teenage girls, clones whose creators view them as patented scientific material, or the inhabitants of a women's prison. Over and over again such stories show their dispossessed central characters banding together, supporting one another, and insisting on their own autonomy and humanity in the face of those who refuse to acknowledge it.

This is the backdrop against which my love for the Romanitas trilogy should be understood.

Cut for non-detailed discussion of slavery, empire and colonialism )

I hope that helps at least in laying out the reasons why this series works for me. I love it. I hope that other people love it too.
dolorosa_12: (sleepy hollow)
Let us not talk of the UK election results - I have no words. Instead, let's talk about something much more pleasant: the return of my weekly linkposts!

Unlike the rest of my corner of the internet, I didn't have a massive problem with Avengers: Age of Ultron. Sophia McDougall and Sonya Taaffe probably get closest to articulating my own feelings on the subject.

Joyce Chng, David Anthony Durham and Kari Sperring (moderated by Vanessa Rose Phin) have some interesting things to say on 'Representing Marginalized Voices in Historical Fiction and Fantasy', at Strange Horizons.

Athena Andreadis talks about the uses and misuses of cultural traumas (in this case, her own, Greek culture) in fiction.

Aliette de Bodard talks about Dorothy Dunnett at Fantasy Book Cafe.

'For the Gardener's Daughter is a fabulous poem by Alyssa Wong, published in Uncanny Magazine.

On Sophie Masson's blog, Adele Geras talks about retelling fairytales.

One of my friends and former academic colleagues has started a blog looking at popular representations of monsters.

The History Girls is not a new blog, but it is new to me. It's the work of a group of women who are historical fiction writers.

Today is pretty grim, so I will leave you with footage of a koala roaming around a rural Victorian hospital.
dolorosa_12: (Default)
This week's linkpost is up a bit early, and contains many fabulous things.

I'm a huge fan of Sophia McDougall's review of Birdman: over at Strange Horizons. In it, she compares the film to Boris Johnson. It's an apt comparison.

Here's a great interview with Samantha Shannon. 'Cities are made of narrative' indeed.

Aliette de Bodard's description of her subconscious as a library is a fabulous metaphor, and one that I might steal myself!

There's a great set of guest posts over at Ladybusiness on 'What books are on your auto-recommend list?' (For the record, mine are the His Dark Materials trilogy by Philip Pullman, the Pagan Chronicles series by Catherine Jinks, Space Demons, Skymaze, Shinkei and Galax Arena by Gillian Rubinstein, Parkland, Earthsong, Fire Dancer and The Beast of Heaven by Victor Kelleher, the Romanitas trilogy by Sophia McDougall and the Crossroads trilogy by Kate Elliott.)

Episode 4 of Fangirl Happy Hour is up. This week Ana and Renay are talking Karen Memory by Elizabeth Bear, Jupiter Ascending and Agents of S.H.I.E.L.D.. I'm not quite as critical of S.H.I.E.L.D. as they are, while I think there's room for difference of opinion about the feminism of Jupiter Ascending, but as always, I appreciate their thoughts.

The first few guest posts about representation and diversity are up on Jim C. Hines' blog.

Shannon Hale talks about gender segregation at readings she's done at schools. It's heartbreaking.

I thoroughly enjoyed this article by Robert Macfarlane about language and landscape. Beautiful stuff.

I really liked the recent BBC adaptation of Hilary Mantel's Wolf Hall. This interview by Julia Raeside of Claire Foy, who played Anne Boleyn, goes a long way towards explaining why.

For reasons that will soon become apparent, although I can't provide a link to it, the #readingAuthorName hashtag on Twitter has been a powerful and positive movement. It works like this: think of an author whose works moved you and shaped you into the person you are. Tweet about it. Add the hashtag #readingAuthorName (obviously replacing AuthorName for the author's actual name). Feel happy.
dolorosa_12: (pagan kidrouk)
This week's linkpost is up a bit early, and contains many fabulous things.

I'm a huge fan of Sophia McDougall's review of Birdman: over at Strange Horizons. In it, she compares the film to Boris Johnson. It's an apt comparison.

Here's a great interview with Samantha Shannon. 'Cities are made of narrative' indeed.

Aliette de Bodard's description of her subconscious as a library is a fabulous metaphor, and one that I might steal myself!

There's a great set of guest posts over at Ladybusiness on 'What books are on your auto-recommend list?' (For the record, mine are the His Dark Materials trilogy by Philip Pullman, the Pagan Chronicles series by Catherine Jinks, Space Demons, Skymaze, Shinkei and Galax Arena by Gillian Rubinstein, Parkland, Earthsong, Fire Dancer and The Beast of Heaven by Victor Kelleher, the Romanitas trilogy by Sophia McDougall and the Crossroads trilogy by Kate Elliott.)

Episode 4 of Fangirl Happy Hour is up. This week Ana and Renay are talking Karen Memory by Elizabeth Bear, Jupiter Ascending and Agents of S.H.I.E.L.D.. I'm not quite as critical of S.H.I.E.L.D. as they are, while I think there's room for difference of opinion about the feminism of Jupiter Ascending, but as always, I appreciate their thoughts.

The first few guest posts about representation and diversity are up on Jim C. Hines' blog.

Shannon Hale talks about gender segregation at readings she's done at schools. It's heartbreaking.

I thoroughly enjoyed this article by Robert Macfarlane about language and landscape. Beautiful stuff.

I really liked the recent BBC adaptation of Hilary Mantel's Wolf Hall. This interview by Julia Raeside of Claire Foy, who played Anne Boleyn, goes a long way towards explaining why.

For reasons that will soon become apparent, although I can't provide a link to it, the #readingAuthorName hashtag on Twitter has been a powerful and positive movement. It works like this: think of an author whose works moved you and shaped you into the person you are. Tweet about it. Add the hashtag #readingAuthorName (obviously replacing AuthorName for the author's actual name). Feel happy.
dolorosa_12: (sokka)
So, I wrote a review of Mars Evacuees by [livejournal.com profile] sophiamcdougall. And then this happened...

 photo ScreenShot2014-03-30at123206PM_zps883c9c7b.png

So, my review convinced one of my favourite authors to read a book by another of my favourites. My work here is done!

In all seriousness, I would urge you to give Mars Evacuees a try. It's a children's science fiction novel, and the best way I can think to describe it is 'like Pacific Rim, but if the main characters were twelve-year-old girls [and there were many more female characters]'. It shares Pacific Rim's best qualities: optimism, an emphasis on kindness, compromise and empathy in the face of destruction, and a representative, global cast of characters. It's also really, really funny.

This weekend has been quite busy. Our friends L and C came up on Friday night. Both of them used to live in Cambridge, but they now live in Exeter, where L has a job as a university lecturer. They were visiting because C had her MA ceremony. The Cambridge (and Oxford) MA is a bit of a weird tradition. It's not awarded for completing any course, but rather given as an honorary degree to everyone who has a Cambridge BA degree a certain number of years after they've completed their studies. So, Matthias, who did his undergrad at Cambridge, has a Cambridge MA, but I, who did my undergrad in Australia, will never be eligible for one. In any case, C accidentally had too many tickets to the ceremony, so Matthias and I tagged along with her husband L and her mother and sister. We spent the afternoon after the ceremony catching up with various people, and ended up having a pub dinner.

This afternoon we'll probably all go walking out to Grantchester, which is a small village just outside Cambridge. It's an absolutely glorious day - 20 degrees, and with enough sunshine to actually cause sunburn. The others are all out having breakfast, but I needed a little break from people before going back to socialising. So I'm just sitting here with the internet, the Daysleepers and a cup of coffee, thinking that life is pretty much fabulous.
dolorosa_12: (sokka)
This weekend, the weather suddenly turned summery (or at least what passes for summery in the south-east of England). I think I was more excited about the fact that I'd be able to dry laundry in the courtyard instead of in the house than the fact that I would be able to ditch my winter clothes. I've since done two loads of laundry, and I find the sight of sheets waving gently in the breeze oddly comforting.

Yesterday I went with my friend and former sort-of-housemate J2* to a buffet lunch at Pembroke College. It's an annual event to which all the people who supervise (i.e. provide the one-on-one tutorials that are the main part of the teaching method at Oxbridge) students from Pembroke are invited. J2 invited me as her guest, and when we arrived we discovered that another friend of ours, M, had also been invited. The meal began with sparkling wine in what I think was the college's senior combination room, and then we were treated to a three-course buffet in the hall. We sat next to a very bitter physicist who spent the whole meal complaining about how academia has changed in the past twenty years (the short version: too much admin), and an interesting woman who taught Arabic language and Middle Eastern history. She bemoaned the fact that interest in her subject area only spikes when something terrible happens in the Arab and Islamic world.

After the lunch, the three of us went to a pub that lets people take drinks outside into the park near the mill pond, and we sat on a wall, surrounded by hundreds of other people who clearly had the same idea. All in all, it was a really fabulous day.

Today I've just been lounging around at home. Matthias is working in one of his library jobs, but will be back in about an hour, at which point we'll have a late lunch. This evening I've got yoga, but other than that, I don't plan on leaving the house. I've been - rather decadently - drinking white wine in the sun and reading novels. At some point I'll probably post some reviews of them, but for now, I plan to relax.

I'll leave you with a few links to stuff that's been making me happy today.

First, [livejournal.com profile] sophiamcdougall's newest book, a children's science-fiction work called Mars Evacuees, is about to be published. She's got a couple of excerpts here and here. The second link includes a bunch of other stuff, all of which is worth reading, especially her article in the New Statesman about the gender disparity in book shop displays.

This review of the recent TV series of Dracula, posted in [community profile] ladybusiness, is making me rethink my decision to avoid the show. I find Jonathan Rhys Meyers almost unbearable to watch, and that is why I originally chose to give the show a miss, but if anyone who has watched it has an opinion, feel free to weigh in and convince me one way or the other.

Fantasy author Saladin Ahmed has started a really cool side project, tweeting the Husain Haddawy translation of the Arabian Nights.

I'll leave you with some music. Yesterday, in honour of International Women's Day, I posted a bunch of feminist music on Tumblr. Assume a broad definition of the word 'feminism' here that has room for Christine Anu singind about migration and identity, Lucinda Williams singing about loss and grief, and Ciscandra Nostalghia demanding listeners worship her.

I'm really into the music of The Daysleepers at the moment. This album and this album are simply fabulous. They sound like summer in Sydney - all diving under waves and bobbing out beyond the breakers, the glare of the asphalt hurting your eyes, jacaranda trees, standing on a roof and watching the fireworks on New Year's Eve, mangoes, cherries and grilled fish and sparkling wine - in a way that I cannot properly articulate. Just gorgeous.

Finally, Matthias and I watched the last stage of Melodifestivalen for the first time this year. We both would've been much happier if Alcazar had won.



Seriously, is that not the most Eurovision song ever?

___________________
*By which I mean that she lived in a sharehouse with my partner Matthias during the year I lived in Germany, so she was my housemate whenever I visited him.
dolorosa_12: (flight of the conchords)
When I was a child and teenager, I consumed stories with an urgent, hungry intensity. I reread favourite books again and again until I could quote them verbatim,* I wandered around the garden pretending to be Snow White or Ariel from The Little Mermaid or Jessica Rabbit.** I had a pretty constant narrative running through my head the whole time I was awake, for the most part consisting of me being the character of a favourite story doing whatever activity I, Ronni, happened to be doing at the time. (No wonder I was a such a vague child: every activity required an extra layer of concentration in order for me to figure out why, say, the dinosaurs from The Land Before Time would be learning multiplication at a Canberra primary school.) The more I learnt about literary scholarship, the more insufferable I became, because I would talk at people about how 'URSULA LE GUIN WROTE A STORY WHERE EVERYTHING HAS A TRUE, SECRET NAME AND THEN ANOTHER USE-NAME AND ISN'T THAT AMAZING IN WHAT IT SAYS ABOUT IDENTITY?!?!' For the most part, I don't inhabit stories to the same extent, and they don't inhabit me to the same degree, although there are rare exceptions to this.

The rare exceptions tend to be things that sort of satisfy my soul in some deep and slightly subconscious way.*** And the funny thing is that although I can write lengthy essays explaining why something both appeals to me on this hungry, emotional level and is a good work of literature (indeed, I have been known to dedicate a whole blog to this), I can also remember a specific moment when reading/watching these texts and they suddenly became THE BEST THING EVER. I can remember exactly what it was for all of them.

The following is somewhat spoilerish for Romanitas, Sunshine by Robin McKinley, Galax-Arena by Gillian Rubinstein, The Dark is Rising by Susan Cooper, The Demon's Lexicon, The King's Peace by Jo Walton, Parkland by Victor Kelleher, Buffy the Vampire Slayer, Robin Hood: Men in Tights,
Ten Things I Hate About You, Cirque du Soleil, Pagan's Crusade by Catherine Jinks and His Dark Materials by Philip Pullman.


Probably a closer look at my subconscious than is comfortable )

Do you have moments like that?
____________
*Which led to a very awkward moment in Year 5 when our teacher was reading Hating Alison Ashley out loud to the class, but would skip bits from time to time - whereupon I would correct her.
**(whose appeal was less that she wasn't 'bad, just drawn that way' and more due to the fact that she wore an awesome dress)
***I've seen people describe fanfic like this as 'idfic', but for me this tends to be a phenomenon of professionally published fiction.

Profile

dolorosa_12: (Default)
a million times a trillion more

June 2025

S M T W T F S
1234567
891011121314
1516 1718192021
22232425262728
2930     

Syndicate

RSS Atom

Most Popular Tags

Style Credit

Expand Cut Tags

No cut tags
Page generated Jun. 25th, 2025 05:26 am
Powered by Dreamwidth Studios