dolorosa_12: (teen wolf)
This post is going to be a bit Isobelle Carmody-heavy. The final Obernewtyn book came out, and I am not okay.

Monica Tan interviews Carmody in The Guardian:

Elspeth’s question is how to exist in the world, to be what she is and to find people who would allow her to be what she is. I think it’s everybody’s question to find a place in the world and to find your tribe, but the world itself has to find a way to let groups of people exist with one another.

Fran Kelly interviewed Carmody on Radio National:

[Readers write to me saying] they feel they survived childhood because of those books.

I appreciated this post by Jill S, 'Dragons and poison chalices':

I’m gathering my community of support. We are small but mighty. And this community reminds me daily that there are people in the world who can support my dreams and don’t feel threatened by them. So when you find someone who cheers you on, wholeheartedly, without fear that you are going to diminish them, cling tight.

I highly recommend 'A Cup of Salt Tears', a new-to-me short story by Isabel Yap.

I appreciate the work that Natalie Luhrs does in keeping records, bearing witness, and holding people to account. This report on the recent World Fantasy Convention was excellent:

In my experience, when many con-runners talk about best practices, what they mean is the way it’s always been done–and the way they’re most comfortable doing it.

Mari Ness' post about problems with accessibility at the con (namely, that it was abysmal) is also an important read:

Because, unfortunately, this is not the first disability/accessibility problem I have had with conventions, or the first time a convention has asked/agreed to have me on programming and then failed to have a ramp that allows me to access the stage. At least in this case it wasn’t a Disability in Science Fiction panel that, incredibly enough, lacked a ramp, but against that, in this case, the conrunners were aware I was coming, were aware that I use a wheelchair, had spoken to me prior to the convention and had assured me that the convention would be fully accessible, and put me on panels with stages but no ramp.

Aliette de Bodard offers her thoughts on the (long overdue) decision to replace the WFA trophies with something other than Lovecraft's head:

It’s not that I think Lovecraft should be forever cast beyond the pale of acceptable. I mean, come on, genre has had plenty of people who were, er, not shining examples of mankind, and I personally feel like the binary of “this person was a genius and can do no wrong/this person is a racist and can therefore do nothing of worth” doesn’t really make for constructive discussion. (but see above for the “we should give everything a fair chance” fallacy. I’m personally not particularly inclined to give reading time or space to a man who thought I was an abomination, and I will side-eye you quite a bit if you insist I should). It’s more that… these are the World Fantasy Awards. They’re not the H.P. Lovecraft Awards, so there’s no particular reason for him to be associated with them: doing so just creates extra awkwardness.

And on a much lighter note, this story is just the most Australian thing ever: paramedics in Queensland have stopped asking patients the name of the prime minister, because nobody can keep track.

“We would ask patients that question because it gave us an idea of their conscious level and ability to recall events,” Mr Abood said. “But the country’s prime ministers are changing so often, it’s no longer a good indication of their mental status.”

Mr Abood once asked a patient to name the prime minister, only to be told: “I haven’t watched the news today.”


I had a good laugh at that.
dolorosa_12: (epic internet)
First up, I am sorry that I haven't replied to anyone's posts or comments for quite a while. I've been in a very bad place for quite a while, and it's left me with little emotional energy. But know that I am reading.

A conversation with a friend a few days ago on Facebook made me realise how much of what I take for granted as being common knowledge, is, in fact, anything but. She was talking about 50 Shades of Grey and mentioned that it reminded her of Twilight. Hardly surprising, I replied, since it originated as a piece of Twilight fanfiction. It soon became apparent that this was new information to her, and indeed to everyone else participating in the conversation. I found this hilarious. Weeks before the book was even published, the internet was flooded with posts about its origins, compare-and-contrast articles where those in possession of the original fanfic went through it line by line to see what had been carried over into the published work.

I've been shocked at this kind of ignorance before* (when, for example, I had to explain to my sister what macros were - she knew what I meant, but had never heard the name), but I really shouldn't be. For one thing, five years ago, I did not know how to do tabbed browsing. For another, I know very little about anything that isn't literature, some areas of history, or geek culture. I'm sure there are groups of lawyers, or mathematicians who would be horrified at my ignorance of what they consider basic elements of their respective fields. But after five-and-a-half years online,** the whole thing is fairly intuitive and obvious to me. Very little that I see shocks me (although to be honest I don't go around actively looking for things that might shock me), and most of what I see makes sense in the context of the culture in which I find myself immersed. What surprises me (but really, really shouldn't) is that the rest of the world does not find it equally fascinating and immersive.

This isn't really the place for it, but have a link for Isobelle Carmody speaking about her latest collection of short stories.

I felt as light as sunlight in the face of the weight of history that people carried. ... It made me feel light, but also insubstantial. That is exactly what it feels like to be an Australian in Europe.

__________________
* And in my other life, I am shocked when people don't know stuff relating to medieval literature or history. 'You just described Shakespearian English as "Old English"? Seriously, how poorly-educated are you?'
** I used the internet before that, of course, but I don't consider myself to have been online. I had a couple of email addresses, which I checked from time to time, and that was about it.
dolorosa_12: (Default)
So, I finished The Sending last night. I will get around to posting a proper review at some point, but these were the thoughts with which I left the book (note they are spoilery):

spoiler-heavy )
dolorosa_12: (Default)
So, I finished The Sending last night. I will get around to posting a proper review at some point, but these were the thoughts with which I left the book (note they are spoilery):

spoiler-heavy )

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