dolorosa_12: (emily hanna)
Slightly flippant title, wildly inaccurate characterisation of my reasons for doing these linkposts. Over here I am gearing up for a much needed long weekend, after one of those weeks that just seem to go on and on and on.

Kate Elliott wrote a great post on 'Diversity Panels: Where Next'. I would encourage you to read (most of) the links that follow, particularly the panel discussion at The Book Smugglers, which I included in a previous linkpost.

Some (unintentionally Australian-centric) Hugos follow-up posts:

Liz Barr of No Award livetweeted the Hugos.

Galactic Suburbia did a podcast discussing the results.

On a less awesome note (in the sense of this needing to be said at all), Sumana Harihareswara responded to the use of the Hare Krishna chant in the Hugos ceremony in an extraordinarily open-hearted and giving way.

A lot of people were sharing this (old) 'How to (Effectively) Show Support' by Dahlia Adler. This part particularly resonated with me:

There is a really big difference between being a person who only rages and a person who both rages and makes a real move for change. And maybe people don’t realize that. Maybe they don’t get how. But I’m tired of seeing raging with no support counterbalance, and I’m tired of people thinking raging is enough without backing it up in a meaningful way. I’m tired of people not realizing how limiting the effects are when all you do is talk about who and what is doing things wrong and not who and what is doing things right.

(Incidentally, I think the first person I saw sharing the post was Bogi Takács, who very effectively shows support with regular roundups of #diversepoems and #diversestories recommendations.)

Aliette de Bodard has set up a review website, designed to host reviews of 'books we love, with a focus on things by women, people of colour, and other marginalised people'.

Here's Sophia McDougall doing a podcast with Emma Newman. My poor, Romanitas-loving heart hurt when Sophia talked about one particular scene in Savage City involving the Pantheon. (I know at least one friend is currently reading the series for the first time, so it might be wise to avoid this podcast until you've finished - it's mildly spoilery.)

More on the invisibility of older women authors, this time from Tricia Sullivan.

Ana has gathered some great, library-related links at Things Mean A Lot.

'Breakthrough in the world's oldest undeciphered writing'.

Via [personal profile] umadoshi, these photos of the world's oldest trees are really amazing.

I hope you all have wonderful weekends.
dolorosa_12: (epic internet)
Ambelin Kwaymullina talks about diversity in Australian YA literature.

Chimamanda Ngozi Adichie: 'Fear of causing offense becomes a fetish'.

Here's Daniel José Older on diversity, power and publishing.

Laura Mixon talks about building bridges and healing divisions.

Rochita Loenen-Ruiz talks about self-care and 'staying in touch with the child-self'.

Aidan Moher discusses writing military SF without combat.

Astrid Lindgren's Second World War diaries have been published in Sweden.

Ana of Things Mean A Lot reviews Pride in the light of the recent UK elections.

I love this review by Electra Pritchett of Stranger and Hostage by Rachel Manija Brown and Sherwood Smith:

If I had to pick a post-apocalyptic YA society in which to live, I'd pick the community of Las Anclas hands down, warts and all: rather than a hierarchical dystopian society where something random is outlawed and the government controls something else crucial to society, Las Anclas represents a kinder, gentler post-apocalypse. It's not quite a utopia, except in the sense that everywhere in fiction is, but that's precisely what makes it a believable and desirable place to live: its busybodies and jerks are notable because they're not the only kind of people in the town, and dealing with them would be a small price to pay in order to live in such a supportive and inclusive place.

The upcoming publishing schedule at The Book Smugglers makes me so happy.

I am really looking forward to the publication of Tell The Wind And Fire, Sarah Rees Brennan's latest book.

Via Sherwood Smith, listen to the oldest (recorded) song in the world.

Happy Friday, everyone!
dolorosa_12: (teen wolf)
This week's linkpost is all Terry Pratchett. I came to his writing later than most, as I was in my early twenties before I read a single word of his. A good friend of mine and I had made a deal: he would watch Buffy the Vampire Slayer, and I would read Pratchett. I think it was a good deal for both of us. I started with Guards! Guards!, and never looked back. My favourite Pratchett book is Small Gods, for all the qualities that made Pratchett such a powerful writer: warm humour, a perceptive understanding of human nature, an intelligent way with words that included rather than excluded, and a patience with human frailty.

This is a Storify of Pratchett's last tweets. (Warning: bring tissues.)

Here Nymeth provides her reminiscences at Things Mean A Lot.

Jo Walton recalls her first meeting with Pratchett over at Tor.com.

I also liked this piece by Julie Beck at the Atlantic.

The obituary at the BBC is here.

As usual, xkcd says in a few words what would take me several thousand.

I think, however, that Abi Sutherland says it best:

He saw the monstrosities of our world: economic inequality, racism, sexism, religious bigotry, the abuses of narrative and myth. And he made them irresistibly ludicrous, laying them relentlessly out until their inner absurdity smothered them, until the least bizzare and most reasonable thing in the story was that it took place on a disc resting on the backs of four elephants standing on the shell of a giant space turtle.

He was both wise and kind.


The world could do with a bit more wisdom accompanied by kindness.

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