dolorosa_12: (queen presh)
[personal profile] dolorosa_12
A discussion I was having in the comments of a previous post with [personal profile] merit made me realise something I'd never really thought before: just as I have tropes, relationship dynamics, and themes that are like narrative catnip to me, I also have the opposite — tropes whose presence will ruin an otherwise deeply enjoyable story for me. I'm not talking about tropes which are pretty much universally regarded (at least in the circles I hang out in) as dreadful (things like Bury Your Gays, women fridged for manpain, black characters dying first), but rather other common tropes which I dislike not because they reinforce societal inequalities, but simply because they're not to my taste.

These are the big ones for me:

  • A character being pressured by the other characters to forgive an abusive or neglectful family member, and welcome them back into their lives for the sake of 'closure,' 'healing,' or similar. I hate this especially if it's a child having to forgive their father (which is the most common iteration of the trope). The end result is often that the characters — and the narrative — minimises the harm which the forgiven character has done.


  • Heroines with supernatural powers giving up their powers at the end of the story in order to settle down and 'have a normal life'.


  • Immortal characters giving up immortality for love (or even wanting to). I much prefer the rarer alternative where the mortal and immortal stay together, knowing one character will die and the other will not, and accepting that consequence.


  • Love triangles being resolved by suddenly making one love interest a terrible person where they weren't before. This goes doubly so if it's a way to resolve a love triangle that causes a married character to be unfaithful to their spouse — I don't mind if the spouse was always terrible, but if they're suddenly written as horrible, it feels like a cop out.


  • Supernatural/superpowered characters keeping their identity secret from their family and loved ones out of concern for their safety.


  • Sisters who hate each other, especially if this is in a mundane/real-world setting. Oddly, I don't mind it if a story is about antagonistic brothers, or an antagonistic brother-sister set of siblings. (I've not seen this trope in which one or both siblings were nonbinary, so I can't speak as to my like or dislike of it with nonbinary siblings.)


  • Characters whose whole arc has been about finding a family and a sense of home and purpose among other people choosing at the end to give that all up and live alone (or alone with their love interest). (*shakes fist at the Obernewtyn Chronicles*) A related version of this trope has dispossessed/migrant/misfit characters choosing to return home to the land of their birth, after spending the entire narrative finding a family and sense of home in a new land or city. (*shakes fist at the Six of Crows duology)


  • Those are the main ones I can think of at the moment. What about you? Do you all have similar narrative dealbreakers? Is this something you've also thought about before?

    Date: 2019-07-21 09:33 pm (UTC)
    forestofglory: E. H. Shepard drawing of Christopher Robin reading a book to Pooh (Default)
    From: [personal profile] forestofglory
    I like your unexpected guest trope too!

    Oh I hadn't thought about how exchanges would shape people's ideas about tropes but that makes a lot of sense.

    I'm still kind of quietly poking at transformative works fandom going "this is different how interesting". I'm trying to do it these nice people have invited me in and I want to respect their culture way though.

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    dolorosa_12: (Default)
    a million times a trillion more

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