Reach your hands out, shine a light
May. 17th, 2020 06:08 pmI have a deep, earnest, and enduring love of Eurovision. I've loved it since before I ever moved to Europe — like a lot of Australians, I watched it fairly religiously on Australian TV every year, simultaneously baffled and gleeful. Thankfully, when I moved to the UK, I found myself firmly ensconced within a social circle which shared my love for all things Eurovision, with varying degrees of sincerity and irony.
For many years, my husband and I hosted Eurovision parties of varying sizes — over the past few years it had dwindled to
notasapleausure and her husband, as our original crowd of local friends moved on to other cities. And of course, due to the pandemic, this year Eurovision was cancelled. Thinking we would get nothing, Matthias and I had already arranged to have a viewing party via Facebook — interested friends could watch the different acts on Youtube, and air their thoughts in the comments of a post I made. It was a great deal of fun, especially given I hosted it in the early days of lockdown, when there was a real need to lift morale.
I should have known, however, that even with the contest itself cancelled, Eurovision would find a way to infect our screens with sparkles, wind machines, and multiple lyrics featuring the words 'fire' and 'desire' rhymed together.
Instead of the contest, there was a simultaneous Eurovision celebration broadcast across all the competing nations — the performers who were supposed to have been competing this year played snatches of their songs and aired videos recorded in their homes, old winners (or simply old fan favourites) dialed in with performances of their own, and the whole thing just ended up being a sort of festival of Eurovision, celebrating this ridiculous cultural phenomenon, and the weird people who love it.
In any other year, I would have found it too treacly and earnest, but in 'these current challenging times' earnest was exactly what I was looking for. Matthias,
notasapleasure and I aired our thoughts in a group chat, Twitter memed away as usual, Måns Zelmerlöw found yet another Eurovision-related camera in front of which to fling himself, and a good time was had by all.
This marks the second year in which I've spent Eurovision night crying. Last year Eurovision was on the same day as the Australian federal election, and I kept breaking into bitter tears at the futility of hoping for an even mildly left-wing government within my lifetime in any country in which I have voting rights. This year it was the montage of empty concert halls in Europe (and the Opera House in Sydney, my Sydney) which had me misty-eyed. Oh, my weary, hopeless heart!
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As an aside, I am feeling the lack of any decent Eurovision icons keenly. I shall have to investigate...
For many years, my husband and I hosted Eurovision parties of varying sizes — over the past few years it had dwindled to
I should have known, however, that even with the contest itself cancelled, Eurovision would find a way to infect our screens with sparkles, wind machines, and multiple lyrics featuring the words 'fire' and 'desire' rhymed together.
Instead of the contest, there was a simultaneous Eurovision celebration broadcast across all the competing nations — the performers who were supposed to have been competing this year played snatches of their songs and aired videos recorded in their homes, old winners (or simply old fan favourites) dialed in with performances of their own, and the whole thing just ended up being a sort of festival of Eurovision, celebrating this ridiculous cultural phenomenon, and the weird people who love it.
In any other year, I would have found it too treacly and earnest, but in 'these current challenging times' earnest was exactly what I was looking for. Matthias,
This marks the second year in which I've spent Eurovision night crying. Last year Eurovision was on the same day as the Australian federal election, and I kept breaking into bitter tears at the futility of hoping for an even mildly left-wing government within my lifetime in any country in which I have voting rights. This year it was the montage of empty concert halls in Europe (and the Opera House in Sydney, my Sydney) which had me misty-eyed. Oh, my weary, hopeless heart!
_______________________
As an aside, I am feeling the lack of any decent Eurovision icons keenly. I shall have to investigate...
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Date: 2020-05-17 05:37 pm (UTC)no subject
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Date: 2020-05-17 06:02 pm (UTC)no subject
Date: 2020-05-17 07:13 pm (UTC)no subject
Date: 2020-05-17 11:47 pm (UTC)Still try not to think too much about the last federal election tbh
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Date: 2020-05-18 09:29 am (UTC)The time difference between Australia and the UK is such that I went to sleep on the Friday night thinking, great, I'll wake up to some excellent news, woke up, caught a train to a conference I was supposed to be attending, and by the time I got off the train at the conference venue it was all over. I made an absolute spectacle of myself sobbing hysterically in the train station.
As you say, I try not to think about it too much (if nothing else, UK politics has much more direct effects on my life at the moment), but the reminder of Eurovision brought the whole thing flooding back.
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Date: 2020-05-19 12:38 pm (UTC)I participated in a fan-run Eurovision on Sunday afternoon and it was a lot of fun. I felt more invested than in other years, even, oddly enough. (Iceland won, not my favorite but I'm fine with it.)
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Date: 2020-05-19 02:46 pm (UTC)