I remember tenderness
Mar. 10th, 2024 02:17 pmSaturday began with an early morning train into Cambridge, in order to lead a workshop for a bunch of nurses, midwives, and physiotherapists. I don't normally work on Saturdays, but I'll do so on occasion if people ask me to present/do a training session at their conference or workshop. In the end, things worked out well: the workshop venue was just a twenty-minute walk from the train station, and the timing of my spot on the programme coincided perfectly with the IMAX schedule for Dune (the IMAX cinema also being about twenty minutes' walk from the workshop), so I could meet Matthias afterwards and immerse myself in audiovisual spectacle.
Dune itself was an aural and visual feast, and overall I enjoyed it a lot, but I have to say that the pacing didn't work. I rarely say this — I'm usually of the opinion that films should be cut and edited down, or should have been a TV miniseries instead — but this really should have been split in two, to give all the plot and characters introduced in what felt like the last half-hour of the film time to breathe. There even was a natural stopping point at which these hypothetical two films could have been split! In any case, I mostly got what I was expecting: drama and spectacle and terrible, manipulative people being dramatic and destructive on a galactic scale, and it was well worth watching in the IMAX cinema — but it could have been even better if I'd been in charge of editing!
After that, Matthias and I made our meandering way back to Ely, rounding off the day by watching the Melodifestivalen final (Sweden's Eurovision selection competition). We don't watch the national selections religiously, but watch Melfest from time to time if it's scheduled at a convenient time, simply because Sweden takes the whole thing so seriously and the result is always a fun couple of hours of glittery pop music.
Today has been filled with relentless rain, which left me with zero interest in leaving the house (although I did go out to the swimming pool first thing); thankfully my only plans for this afternoon are to potter around on AO3 and Dreamwidth, and eventually cook dinner. (I got overexcited when I spotted that there were now six The Silence of the Girls fics, and then extremely deflated when these were all revealed to be The Song of Achilles crossovers; people can write whatever they want to write, of course, but I find it dispiriting when my tiny fandom-of-one that's all about the interior lives of the women of the Iliad ends up wall-to-wall crossovers with the Achilles/Patroclus megafandom, focused solely on that pairing, and to be honest their The Silence of the Girls tag feels like false advertising. The solution, of course, is just to write the Briseis/Chryseis epic for which I'm always fruitlessly searching.)
I feel as if that's a slightly sour note on which to end this post, so I'll close instead with all the little things making me happy: daffodil and freesia bulbs just beginning to flower, the perfectly calibrated caffetiere of coffee that I made this morning, the landscapers making good progress on the work for which we hired them in our back garden, lazy Sunday afternoon yoga, chatting with my mum on FaceTime as she travelled home on the ferry across Sydney Harbour, turning the camera around to show me the bridge, the Opera House, and the lights on the inky black water. They all feel like little pockets of happiness — bursts of candle flame held against grief and frustration.
Dune itself was an aural and visual feast, and overall I enjoyed it a lot, but I have to say that the pacing didn't work. I rarely say this — I'm usually of the opinion that films should be cut and edited down, or should have been a TV miniseries instead — but this really should have been split in two, to give all the plot and characters introduced in what felt like the last half-hour of the film time to breathe. There even was a natural stopping point at which these hypothetical two films could have been split! In any case, I mostly got what I was expecting: drama and spectacle and terrible, manipulative people being dramatic and destructive on a galactic scale, and it was well worth watching in the IMAX cinema — but it could have been even better if I'd been in charge of editing!
After that, Matthias and I made our meandering way back to Ely, rounding off the day by watching the Melodifestivalen final (Sweden's Eurovision selection competition). We don't watch the national selections religiously, but watch Melfest from time to time if it's scheduled at a convenient time, simply because Sweden takes the whole thing so seriously and the result is always a fun couple of hours of glittery pop music.
Today has been filled with relentless rain, which left me with zero interest in leaving the house (although I did go out to the swimming pool first thing); thankfully my only plans for this afternoon are to potter around on AO3 and Dreamwidth, and eventually cook dinner. (I got overexcited when I spotted that there were now six The Silence of the Girls fics, and then extremely deflated when these were all revealed to be The Song of Achilles crossovers; people can write whatever they want to write, of course, but I find it dispiriting when my tiny fandom-of-one that's all about the interior lives of the women of the Iliad ends up wall-to-wall crossovers with the Achilles/Patroclus megafandom, focused solely on that pairing, and to be honest their The Silence of the Girls tag feels like false advertising. The solution, of course, is just to write the Briseis/Chryseis epic for which I'm always fruitlessly searching.)
I feel as if that's a slightly sour note on which to end this post, so I'll close instead with all the little things making me happy: daffodil and freesia bulbs just beginning to flower, the perfectly calibrated caffetiere of coffee that I made this morning, the landscapers making good progress on the work for which we hired them in our back garden, lazy Sunday afternoon yoga, chatting with my mum on FaceTime as she travelled home on the ferry across Sydney Harbour, turning the camera around to show me the bridge, the Opera House, and the lights on the inky black water. They all feel like little pockets of happiness — bursts of candle flame held against grief and frustration.