dolorosa_12: (window grey)
Saturday began with an early morning train into Cambridge, in order to lead a workshop for a bunch of nurses, midwives, and physiotherapists. I don't normally work on Saturdays, but I'll do so on occasion if people ask me to present/do a training session at their conference or workshop. In the end, things worked out well: the workshop venue was just a twenty-minute walk from the train station, and the timing of my spot on the programme coincided perfectly with the IMAX schedule for Dune (the IMAX cinema also being about twenty minutes' walk from the workshop), so I could meet Matthias afterwards and immerse myself in audiovisual spectacle.

Dune itself was an aural and visual feast, and overall I enjoyed it a lot, but I have to say that the pacing didn't work. I rarely say this — I'm usually of the opinion that films should be cut and edited down, or should have been a TV miniseries instead — but this really should have been split in two, to give all the plot and characters introduced in what felt like the last half-hour of the film time to breathe. There even was a natural stopping point at which these hypothetical two films could have been split! In any case, I mostly got what I was expecting: drama and spectacle and terrible, manipulative people being dramatic and destructive on a galactic scale, and it was well worth watching in the IMAX cinema — but it could have been even better if I'd been in charge of editing!

After that, Matthias and I made our meandering way back to Ely, rounding off the day by watching the Melodifestivalen final (Sweden's Eurovision selection competition). We don't watch the national selections religiously, but watch Melfest from time to time if it's scheduled at a convenient time, simply because Sweden takes the whole thing so seriously and the result is always a fun couple of hours of glittery pop music.

Today has been filled with relentless rain, which left me with zero interest in leaving the house (although I did go out to the swimming pool first thing); thankfully my only plans for this afternoon are to potter around on AO3 and Dreamwidth, and eventually cook dinner. (I got overexcited when I spotted that there were now six The Silence of the Girls fics, and then extremely deflated when these were all revealed to be The Song of Achilles crossovers; people can write whatever they want to write, of course, but I find it dispiriting when my tiny fandom-of-one that's all about the interior lives of the women of the Iliad ends up wall-to-wall crossovers with the Achilles/Patroclus megafandom, focused solely on that pairing, and to be honest their The Silence of the Girls tag feels like false advertising. The solution, of course, is just to write the Briseis/Chryseis epic for which I'm always fruitlessly searching.)

I feel as if that's a slightly sour note on which to end this post, so I'll close instead with all the little things making me happy: daffodil and freesia bulbs just beginning to flower, the perfectly calibrated caffetiere of coffee that I made this morning, the landscapers making good progress on the work for which we hired them in our back garden, lazy Sunday afternoon yoga, chatting with my mum on FaceTime as she travelled home on the ferry across Sydney Harbour, turning the camera around to show me the bridge, the Opera House, and the lights on the inky black water. They all feel like little pockets of happiness — bursts of candle flame held against grief and frustration.
dolorosa_12: (winter berries)
I've just come back downstairs after finishing today's yoga class — 35 minutes of slow, calming stretches, tucked up in the bedroom, watching the bare branches sway in the breeze and the clouds slowly fill the sky. This morning was much clearer — by the time I returned from swimming at 9am, the streets were full of people out and about and enjoying the bright winter weather.

It's been a weekend of good food. Matthias and I went out for our semi-annual joint birthday/Christmas present to each other: a meal at [instagram.com profile] restaurant22_cambridge. These are tasting menus with wine pairings, and a really nice treat, in a lovely restaurant located in an old terrace house in Cambridge. This particular iteration was delightful, and for once getting in and out of Cambridge by train went as smoothly as it's possible to go, which was very pleasing.

Other than going out for dinner, it's been a typical weekend with the usual array of Saturday morning fitness classes, buying groceries at the open air market, the aforementioned Sunday morning swim, yoga and so on. I suppose this will be the last time for this specific weekend routine for the year — next weekend I'll be in Cambridge all day on Saturday, and then Sunday will be a whirlwind of Christmas meal preparation, cleaning, and so on, and I'm not yet sure what will be going on on the New Year's Eve weekend. In any case, I'm pretty happy with the normal shape of my weekends, the result of various changes and habit-forming behaviour I implemented at the start of the year, all of which I plan to continue.

I'm satisfied, too, with my contribution to this year's Yuletide collection. At the final count, I've written my main assignment, and three treats, the last of which I finished editing earlier today. Hopefully they'll be well received. I have an idea for a fic for Fandom Trees, but it's not yet ready to post, and hopefully I'll be able to make at least one more contribution to that fest on top of that (since the expectation is that each participant should receive two gifts, I try to contribute at least an equal amount back).

It hasn't really been much of a weekend for reading — too much time spent out of the house for that — but I did pick up a copy of Emily Wilson's Iliad translation from the local independent bookshop, and have made a start on that. This is I think my third attempt to actually read the Iliad in translation — on every other occasion I'd get bogged down and bored in the endless lists of names, and give up — but I really loved Wilson's Odyssey translation, so I have high hopes that this third time will be the charm. I've always felt vaguely bad that as someone who spends so much fannish energy devoted to the sort of fanfic Briseis I've created in my head, and who has such strong opinions about various Iliad retellings and reimaginings, I've never managed to read the actual original epic poem that launched these thousands of other things.

As well as this doorstopper of a book, I'll be turning my attention to various seasonal rereads that I always do around this time of year: Cooper's The Dark Is Rising, Katherine Fabian and Iona Datt Sharma's novella 'Sing for the Coming of the Longest Night' (which I try to read on the actual day/night of the solstice), and The Bear and the Nightingale, the first, most frozen and wintry book in Katherine Arden's Winternight trilogy (which really is suited to a much colder climate than these mild East Anglian winters). And then it will be time for Yuletide to open, and I'll bury myself in the collection, and read all the wealth of small book fandom fanfic that appears at this time of year like my own personal winter harvest.

Can you tell that, although I have a week more work to go, I'm already somewhat in holiday mode?
dolorosa_12: (emily)
In your own space, talk about your favorite trope, cliché, kink, motif, or theme.

Snowflake Challenge promotional banner with image of crystal snowflakes on green leaves on a dark blue background. Text: Snowflake Challenge January 1-31.

Why limit myself to just one? Here is a non-exhaustive list of stuff I like — sometimes just in fanfic, sometimes just in professional writing, sometimes in both. I think the boundaries between tropes, clichés, kinks and so on can sometimes be a bit blurred, so I'm not going to define any of these narrative/character/relationship preferences as one thing or the other.

  • Enemies/antagonists to friends/allies/lovers is something I will eat up with a spoon. I like it in both its variants — where the characters differ in their approaches, methods or aims but are essentially both fundamentally correct, and where one character is clearly in the right and the other one is at best wrong and at worst straight up evil. I guess in essence I like characters being thrown into situations that force them to reevaluate their core understanding of themselves, and these kinds of relationships often do this.


  • Hurt/comfort is one of my favourite things to read, although I don't like it so much in visual media. Like many people in my Dreamwidth circle, I tend to have firm preferences for which character is hurt, and which one is doing the comforting. I sometimes like this trope in combination with the enemies-to-lovers one, in which one character comforts the other for hurt that they themselves inflicted, but it depends on the fandom.


  • I don't really know how to describe this one succinctly, but basically stories about women enduring awful stuff at the hands of men in patriarchal societies, and finding a sense of community and common purpose within these terrible situations. Survival is the important thing here — I don't need the women to escape or overthrow their oppressors within the narrative, but they need to be able to find ways to survive and find meaning and connection with each other in the margins. Examples of what I'm talking about include Mad Max: Fury Road, Pat Barker's The Silence of the Girls, and stuff like that.


  • Human/non-human pairings where the human character stays mortal, the non-human character remains a vampire/demon/otherworldly fairy/etc etc, but they both transform each other in other ways. The irreconcilable differences are the thing, here — I don't want them reconciled by the vampire's human girlfriend becoming a vampire herself, or the god who falls in love with a human giving up immortality for love.


  • Stories in which the ordinary work of everyday life is made magical and heroic, especially tasks typically perceived (whether correctly or incorrectly) as having been 'women's work' in a historical setting. I particularly like this if the story hinges on mentor relationships between girls and women, relationships between sisters (or girls who are raised in a situation that is essentially like being sisters), mothers and daughters, and so on.


  • Stories about characters who were made to feel frightened once, reacted (to put it mildly) extremely poorly to this, and decided the only reasonable course of action is to warp the world around them such that they will never, never be made to feel fear again — even if they burn down the world and all their relationships with it. An example of this type of story is the Peaky Blinders tv series.


  • Stories that are fundamentally dystopian (or ushering in something that will result in utter destruction of everything the characters valued — they just can't see it yet or can't do anything to stop it), in which the characters do their best to carve out meaning and joy, build community and remain essentially true to their own ethics, even if their efforts are marginal at best and are like twigs attempting to shore up a torrential flood. Examples of this type of story are — in different ways — The Lions of Al-Rassan (Guy Gavriel Kay), Hambly's Benjamin January mysteries, and the Babylon BerlinTV series.


  • Do you have any specific narrative/character preferences?
    dolorosa_12: (Default)
    The current [community profile] snowflake_challenge is one that I always find incredibly stressful: I don't really collect fannish merch (other than ... physical books? Dreamwidth icons?), and I'm completely incapable of taking decent photos of anything that isn't a) a tree or b) a body of water.

    Snowflake Challenge promotional banner featuring an image of a chubby brown and red bird surrounded by falling snow. Text: Snowflake Challenge January 1-31.

    So, with that disclaimer out of the way, here is the prompt:

    In your own space, post the results of your fandom scavenger hunt. earch in your current space, whether brick-and-mortar or digital. Post a picture or description of something that is or represents:

    1. A favorite character
    2. Something that makes you laugh
    3. A bookshelf
    4. A game or hobby you enjoy
    5. Something you find comforting
    6. A TV show or movie you hope more people will watch
    7. A piece of clothing you love
    8. A thing from an old fandom
    9. A thing from a new fandom

    My photos can be found on Instagram. Edited to add that the bad-quality photos were stressing me out so much that I deleted the whole photoset from Instagram, so the link here will no longer work. The descriptions of the photos remain below.

    I have merged several categories.

    1. A favourite character — Noviana Una from Sophia McDougall's Romanitas trilogy. This is the back of a t shirt which is possibly the only piece of fannish merch I own, a quote from McDougall's book referencing Una. (A picture McDougall drew of her own character, plus this quote, forms my default Dreamwidth icon.)

    2. and 3. Something that makes me laugh + a bookshelf — a small portion of the Terry Pratchett section of our bookshelves. This is only a small portion of our collection as a whole — my copies are all still at my mum's place in Australia, and many of Matthias's copies are still in Germany. At some point, we will have all the copies in the one place and may have to discard the duplicates.

    4. and 5. A game or hobby I enjoy + something I find comforting — swimming swimming swimming. I am, as I have said many times, half woman half ocean. Swimming is the only thing that stills the sea inside.

    6. A TV show or movie I wish more people would watch — Babylon Berlin

    7. A thing from an old fandom — the final lines of Northern Lights, the first book in Philip Pullman's His Dark Materials trilogy. This isn't my oldest fandom, but it was my first experience of fandom as an online community, and the HDM forum I joined still remains my gold standard for online fannish spaces. It was the perfect welcome and introduction to fandom-as-shared activity.

    8. A thing from a new fandom — the extant books from Pat Barker's Briseis-centric Iliad retelling trilogy.

    I read three more short stories yesterday. All are free and online at the Tor.com website.

    Short fiction )
    dolorosa_12: (library shelves)
    I've been gathering various fandom-related links over the past few days, and it's got to the point where it would be a good idea to share them and close some tabs.

    First up, if you're looking to meet new people on Dreamwidth, [personal profile] chromaskies has posted a new year's friending meme:

    newyearsfriendzy
    Click the banner to join us and make some new friends!


    The [community profile] fandomtrees fest is coming to an end, and there are still some participants without any gifts. If anyone feels like creating anything, the 'needy trees' spreadsheet lists all participants with no gifts, or only one gift so far.

    If you like fairy tales, folktales, myths and legends, you may be interested in participating in [community profile] once_upon_fic, an exchange for fic in these types of fandoms. There's an announcement post listing rules and this year's schedule — nominations are set to open in a couple of weeks.

    [personal profile] naye has written a really detailed, clear and comprehensive guide to using Mastodon, if that's something people were interested in doing.

    In addition to the links, I've started the year off with some reading: two books so far.

    Comments on both books behind the cut )

    In any case, my reading is certainly off to a good start in terms of giving me lots to think about.
    dolorosa_12: (sellotape)
    I'm happiest when my days are filled with a good mixture of stuff, and that's certainly been true this weekend. In list format, in no particular order, I've done the following:

  • Read so many books, in a variety of genres (about which more in a review post later in the week)

  • Done a variety of yoga sessions ranging from the intense to the stretchy to the restorative

  • Roamed the outdoor market in the rain, picking up vegetables, fruit, bread and cheese

  • Swum a kilometre

  • Pottered around on Dreamwidth, overwhelmed by, and grateful for, the response to both my [community profile] snowflake_challenge posts and the return of my Friday open threads

  • Walked out through the muddy fens with Matthias, under clear skies


  • Now I've got curry simmering, fragrant on the stove, and I'm winding down, and resting.

    Snowflake Challenge promotional banner featuring a wrapped giftbox with a snowflake on the gift tag. Text: Snowflake Challenge January 1-31

    Today's [community profile] snowflake_challenge prompt is: In your own space, talk about an idea you wish you had the time / talent / energy to do.

    Unfinished visioncloths behind the cut )
    dolorosa_12: (we are not things)
    This evening, there will be an event which bills itself as a 'Eurovision pre-party', with a lineup including past and current contestants. Matthias and I will be watching, and if anyone else is interested in doing the same, the event is viewable online. More details here.

    On to today's book prompt:

    21. A book written into your psyche

    My answer )

    The other days )
    dolorosa_12: (we are not things)
    I'm always astonished at how much more I can get done if I have a slightly longer weekend. It's not so much the extra hours, but more the fact that I don't feel utterly drained by 2pm, the way I do on a work day. (I suppose most of my work days begin with me leaving the house before 7, walking for 45 minutes and then swimming a kilometre, before I even start my actual paid work...)

    But today I have:

  • Chatted via FaceTime with my peripatetic mother, who has been moving from airbnb to serviced apartment to my sister's flat in Melbourne to the house of one of her sisters on the other side of Sydney Harbour, living out of suitcases while her flat is being renovated;


  • Gone into town to run various errands;


  • Done some rough editing of my Yuletide assignment, and completed the first draft of one of the treats I'd been planning (I just sat down at the keyboard, and 2000 words tumbled out);


  • Done a rather intense yoga sequence, curling and stretching in the afternoon sun as it poured through the bedroom window;


  • Read about 2/3 of The Silence of the Girls, being struck again at how perfectly Pat Barker writes Briseis's story (and the story of all the captured Trojan women), and how much she is able to say with so few words. I wish every Iliad retelling were like this.


  • Now I'm just waiting for Matthias to come home after work, and then I will slow cook pork shoulder with chorizo, white beans, tomatoes and potatoes, and rest. And there'll still be one more day of my 'weekend' left.
    dolorosa_12: (Default)
    The colder weather seems to have done wonders for my writing productivity: I've finished my Yuletide assignment, and made a good start on a second treat. That wasn't all the writing I got done over the weekend — I also found the time to write a longish review on two Iliad retellings and Emily Wilson's Odyssey translation. You can find the review here on Wordpress, but here's a brief excerpt:

    I never had much interest in the long recitations of characters’ ancestry, names of warriors killed on the battlefield, wooden horses or lucky arrows shot through vulnerable heels. Instead, I focused on the story that whispered in the margins: the calamity of war to the women and children it made most vulnerable, the ways such women coped with the ever-present threat of male violence, and the simmering presence of this violence even in ostensible peacetime, in spaces where women were surrounded by their own families. I sought out retellings of the Iliad that brought this story to the fore.


    I should note that because the two retellings focus on the character of Briseis, the review involves discussion of rape and slavery, so consider this a content warning. I also get pretty ranty about The Song of Achilles, so if anyone feels like venting with me about that book, feel free to join in in the comments (and if you like it ... I'm sorry).

    Also over on Wordpress, I reviewed Aliette de Bodard's In the Vanishers' Palace, a Beauty and the Beast story where both characters are female and the Beast is a dragon. You can read that review here.

    This being an Aliette de Bodard story, there are all the familiar and fabulous features that I’ve come to expect in her work: loving and mouth-watering descriptions of food and cooking, a refusal to flinch away from the devastating effects of empire and colonialism, and an intricate exploration of the different ways survival can look. This last is crucial, and resonates deeply with me. De Bodard rejects an individualistic interpretation of heroism, where a lone, special individual bravely solves the world’s problems alone. Instead, courage in her writing is all about (inter)dependence and community building — the little acts that forge and strengthen networks, reinforce familial and non-familial bonds, and the way that sometimes merely surviving and helping others survive is its own victory.


    I'm now taking a break from all that writing with a bit of reading. I've just finished Leah Cypress's 'Timshala', the last in the Book Smugglers' 2018 series of short stories on the theme of 'awakenings', and I definitely think it was the best of the bunch. Their short story series tend to be pretty hit and miss with me, but this one — part Ancient Egypt-inspired death cult with religious controversies and political intrigue, part exploration of determinism and free will — was excellent. It's available to read for free online here.

    Having finished 'Timshala', I've now moved on to Girls of Paper and Fire, a novel by Natasha Ngan which I've wanted to read since I first saw Samantha Shannon posting on Instagram about reading an ARC of the book. This was months and months ago, and I'm glad to finally have a copy in my hands. I think I'll curl up in my wing chair and read it, watching the sun go down and the darkness fall through the garden window.
    dolorosa_12: (robin marian)
    My department is on Tumblr. If you like medieval geekery, and are on Tumblr, you should check it out! In related news, my boyfriend and a friend of ours have started up a blog where they translate Old English riddles and write commentary about them. (For those of you so inclined, Tolkien probably had these kinds of riddles in mind when writing the famous scene in The Hobbit.)

    I'm reading The Iliad. I thought it was about time, considering how many adaptations and reworkings I've read (let us not speak of That Travesty of a Movie), including studying a course call The Literature of Troy as a undergrad (which looked at the medieval and Shakespearean versions of the story of Troilus and Cressida). I knew the basic shape of the story, I knew what happened, and yet I still found it extremely confronting to read. The problem was, I inevitably latched onto Briseis. That got me thinking about my whole way of reading/interacting with texts these days. I'm much more alert to issues of agency and voice, which characters are given words and which remain silent. So while I wasn't surprised by the presentation of Briseis, I feel very protective of her as a character, and I want very much to read adaptations of the Iliad that give her a voice. (My first port of call was fanfiction, but I found nothing, other than some stuff based on That Travesty of a Movie. Inevitably, Iliad fandom is all about the Achilles/Patroclus slash, and even more inevitably, Hector/Paris.) In any case, I need to think more about these things, and possibly write something more than these rambly musings.

    Horrible Histories author Terry Deary wrote a diatribe against libraries. Foz Meadows wrote a powerful response:

    And then, of course, there’s the moral/historical angle: “Because it’s been 150 years, we’ve got this idea that we’ve got an entitlement to read books for free, at the expense of authors, publishers and council tax payers,” Deary moans. “This is not the Victorian age, when we wanted to allow the impoverished access to literature. We pay for compulsory schooling to do that.”

    The bolding above is my own, and it’s there for a reason. Take a good, long look at that sentence – specifically, at the crucial use and placement of the word wanted, whose past tense indicates that allowing the impoverished access to literature is something we don’t want to do any longer; or rather, that Deary believes we shouldn’t. There’s so much wrong with this statement that I hardly know where to begin. With the fact that, under Deary’s ideal system, the poor are only entitled to literature while they’re of school age, perhaps? With the fact that most of the literary benefit one experiences while a student comes, not from English class, but the school library? Or how about the novel idea that treating support of literacy in poverty as a quirky Victorian prerogative rather than an ongoing social necessity is not only morally repugnant, but incredibly shortsighted when one depends for one’s living on the existence of a literate, interested populace?


    John Scalzi also responded:

    I don’t use my local library like I used libraries when I was younger. But I want my local library, in no small part because I recognize that I am fortunate not to need my local library — but others do, and my connection with humanity extends beyond the front door of my house. My life was indisputably improved because those before me decided to put those libraries there. It would be stupid and selfish and shortsighted of me to declare, after having wrung all I could from them, that they serve no further purpose, or that the times have changed so much that they are obsolete. My library is used every single day that it is open, by the people who live here, children to senior citizens. They use the building, they use the Internet, they use the books. This is, as it happens, the exact opposite of what “obsolete” means. I am glad my library is here and I am glad to support it.

    Every time I publish a new book — every time — the first hardcover copy goes to my wife and the second goes to the Bradford library. First because it makes me happy to do it: I love the idea of my book being in my library. Second because that means the library doesn’t have to spend money to buy my book, and can then use it to buy the book of another author — a small but nice way of paying it forward. Third because I wouldn’t be a writer without libraries, hard stop, end of story. Which means I wouldn’t have the life I have without libraries, hard stop, end of story.

    I am, in no small part, the sum of what all those libraries I have listed above have made me. When I give my books to my local library, it’s my way of saying: Thank you. For all of it.


    My own library story is similar, but different. What I will say is this: libraries gave me words. They gave me the words to understand myself, my space in the world, the people around me. They opened doors, they opened my mind, but it all comes back to the words. They gave me my voice.

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