dolorosa_12: (persephone lore olympus)
There's a blackbird that's taken to standing on the kitchen roof (just below our bedroom window), singing its heart out every morning around 6am to greet the dawn. It's like a natural alarm clock, and it's such a gentle introduction to each new day that I can hardly begrudge it.

I didn't know I needed a four-day weekend so badly until I had one, with four days stretching gloriously ahead of me, every hour my own to do with as I chose. It ended up being the perfect balance and mixture of activities, planned in such a way that everything worked out seamlessly, with even the weather cooperating. I'm good at this — organising holidays at home — but I so rarely have the opportunity.

I've described everything below in words, but have a representative photoset, as well.

This extended weekend's events can be grouped under a series of subheadings, as follows:

Movement
I swam 1km at the pool, three times: on Friday, Sunday, and today, gliding back and forth through the water, which was blissfully empty today and Friday, but too crowded for my liking on Sunday morning. On Saturday, I went to my classes at the gym, and then Matthias and I walked 4km out to Little Downham (about which more below), through fields lined with verdant green trees and flowering fruit orchards, watched by sleepy clusters of cows and horses, and then returned home the same 4km way. I did yoga every day, stretchy and flowing in the sunshine, listening to the birdsong in the garden. Yesterday, Matthias and I walked along the sparkling river, and then back up through the market, which was full of the usual Sunday afternoon of cheerful small children and excitable dogs.

Wanderings
As is the correct way of things on long weekends, we roamed around on the first two days, and stuck closer and closer to home as the days wore on. On Friday night, we travelled out into the nearby village of Whittlesford (via train and rail replacement bus), and on Saturday we did the walk to Little Downham, but beyond that I went no further than the river, the market, and the gym, and I was glad of it.

Food and cooking
The Whittlesford trip was to attend a six-course seafood tasting menu with wine pairings, which was delicate, exquisite, and a lovely way to kick off the weekend. In Little Downham, we ate Thai food for lunch at the pub, cooked fresh, redolent with chili, basil and garlic. I made an amazing [instagram.com profile] oliahercules fish soup for dinner on Saturday, filled with garlic and lemon juice and briny olives and pickles. Last night I spent close to three hours cooking a feast of Indonesian food: lamb curry, mixed vegetable stir fry, slow-cooked coconut rice, and handmade peanut sauce, and it was well worth the effort. We'll be eating the leftovers for much of the rest of the week. We ate hot cross buns for breakfast and with afternoon cups of tea. We grazed on fresh sourdough bread, and cheese, and sundried tomatoes, and olives.

Growing things
On Sunday, we picked up some seedlings from the market: two types of tomato, cucumber, chives, and thyme, and I weeded the vegetable patches, and planted them. I was delighted to see that the sweetpea plant from last year has self-seeded, with seedlings springing up in four places. The mint and chives have returned, as have the various strawberry plants. Wood pigeons descend to strip the leaves from the upper branches of the cherry trees, and the apple blossom buzzes with bumblebees.

Media
The fact that we picked Conclave as our Saturday film this week, and then the Pope died today seems almost too on the nose (JD Vance seems to have been to the Pope as Liz Truss was to Queen Elizabeth II: moronic culture warring conservatives seem to be lethal to the ageing heads of powerful institutions), but I enjoyed it at the time. It reminded me a lot of Death of Stalin: papal politics written with the cynicism and wit of Armando Ianucci, and at the end everyone got what they deserved, and no one was happy.

In terms of books, it's been a period of contrasts: the horror and brutality of Octavia Butler's post-apocalyptic Xenogenesis trilogy, in which aliens descend to extractively rake over the remains of an Earth ruined by Cold War-era nuclear catastrophe, in an unbelievably blunt metaphor for both the colonisation of the continents of America, and the way human beings treat livestock in factory farming, and then my annual Easter weekend reread of Susan Cooper's Greenwitch, about the implacable, inhospitable power of the sea, cut through with selfless human compassion. Both were excellent: the former viscerally horrifying to read, with aliens that feel truly inhuman in terms of biology, social organisation, and the values that stem from these, and unflinching in the sheer extractive exploitation of what we witness unfold. It's very of its time (for something that's so interested in exploring non-cis, non-straight expressions of gender and sexuality, it ends up feeling somewhat normative), and while the ideas are interesting and well expressed, I found the writing itself somewhat pedestrian. It makes me wonder how books like this would be received if they were published for the first time right now. Greenwitch, as always, was a delight. Women/bodies of water is basically my OTP, and women and the ocean having emotions at each other — especially if this has portentous implications for the consequences of an epic, supernatural quest — is my recipe for the perfect story, so to me, this book is pretty close to perfect.

I've slowly been gathering links, but I think this post is long enough, so I'll leave them for another time. I hope the weekend has been treating you well.
dolorosa_12: (yuletide stars)
I mentioned in a previous post that I had a particularly successful Yuletide this year, in terms of both the gifts written for me, and how the fic I wrote was received. (I was completely overwhelmed by travel and visiting my in-laws, however, and didn't have a chance to read anything else in the collection besides my own gifts, so for the first time since I participated in Yuletide, I unfortunately won't be able to include recs from the collection here.)

This year, I received not one, but two gifts, which I can now see were written by the same author.

The main gift was Paige/Arcturus fic for The Bone Season — a pairing and fandom which I have been requesting for ten years in almost every single exchange in which I participated. I'm so delighted that someone chose to write it for me at last, and to have dug into so many things that I love about these characters and this pairing.

Adamant (1024 words) by cher
Chapters: 1/1
Fandom: The Bone Season - Samantha Shannon
Rating: General Audiences
Warnings: No Archive Warnings Apply
Relationships: Paige Mahoney/Warden | Arcturus Mesarthim
Characters: Paige Mahoney, Warden | Arcturus Mesarthim
Additional Tags: POV First Person, Hurt/Comfort, Post-Traumatic Stress Disorder - PTSD, Trauma Recovery
Summary:

Paige vs PTSD, with her usual feelings about battles.



Every year, I've hoped (while knowing that no one is entitled to such things) that someone might choose to write an additional treat for me, and for the first time in ten years of Yuletide participation, someone did! I feel very grateful and privileged, especially since the fic is for a tiny (even by Yuletide standards) fandom of which I thought I was the only person who felt fannish: Gillian Rubinstein's Space Demons trilogy. Again, the fic really got to the heart of what I love about this canon, characters, and pairing — right down to the nostalgic 1990s tech and internet!

futurism (1259 words) by cher
Chapters: 1/1
Fandom: Space Demons Series - Gillian Rubinstein
Rating: General Audiences
Warnings: No Archive Warnings Apply
Relationships: pre Mario Ferrone/Elaine Taylor
Characters: Mario Ferrone, Elaine Taylor, Ben Challis
Additional Tags: Post-Canon, Yuletide Treat
Summary:

Mario in the aftermath, reaching for a future.



My three fics — The Dark Is Rising, and the Winternight series )

So that was my Yuletide. I have today and tomorrow remaining as holidays, before returning to work (from home) on Friday. I'm going to ease my way gently into 2025 with a long yoga class, doing the final bits of set up of my bullet journal, and starting a new book. I hope the first hours of the new year have been kind to you.
dolorosa_12: (garden pond)
It's the fourth day of the four-day weekend, and life is good. Four days travelling is great, but four days catching my breath at home is better, and, in this case, was exactly what I needed. I got so much done, but not in a way that made anything feel rushed and frenzied.

It feels easiest to break things down into subheadings.

Gardening

When I left you on Friday, I was crowd-sourcing advice on things to plant in our recently landscaped back garden. Taking all your suggestions on board, Matthias and went to the market and gardening shop on Saturday after lunch, and returned with a truly ludicrous number of seeds and seedlings (plus there was a woman selling indoor plants so I ended up with four more of those). We spent a hour or so on Saturday, and another hour this morning starting to sow seeds and transplant seedlings. So far we've planted beetroot and parsnips in one of the vegetable patches, a few rhubarb in 1/4 of another vegetable patch, and scattered a mixture of seedlings (mainly flowers, but also a fern, and two strawberry plants) and wildflower seed mix across the raised beds in the front and back garden. It's meant to rain this afternoon (and for much of the next week), so it was a good time to get all this done.

Movement

We've been on several little wanders around the cathedral and the river — nothing too lengthy, but enough to feel the fresh air and smell all the flowering plants. I've been to the gym for my usual two hours of classes, plus 1km swim per visit on three consecutive days. And then there's been yoga — slow, restorative, stretchy classes, with the bedroom window open and the warm breeze filling the room.

Food and cooking

I won't list everything eaten this weekend, but highlights include the lamb shoulder I made yesterday (marinated in a dry spice rub overnight, then slow roasted over a bed of fennel, onions, garlic and white wine, served with a roasted red capsicum salad; I made stock out of the lamb bones this morning), today's lunch (potato salad with asparagus, radishes and cucumber, dressed in a handmade lemon-garlic-mustard dressing — no gloopy mayonnaise for me — plus some cold seafood spontaneously bought at a little pop up stall near the river), multiple hot cross buns, toasted under the grill and served with melted salty butter (the last of which we will eat with our afternoon cup of smoky tea), and the first iced coffee of the season, picked up and drunk during this morning's wanderings.

Reading

I'm working my way through Kate Elliott's Furious Heaven, the second in her gender-flipped (and very, very queer) far future Alexander the Great space opera trilogy, and loving it a lot. Like all Kate Elliott books, it's a massive doorstopper, and it takes at least 100-200 pages to work itself up to the main plot, after which point things carry on forward at a page-turning clip for the remaining 500+ pages. The worldbuilding and secondary characters are excellent.

I was also reminded (via my Goodreads feed) that the Easter long weekend is the correct time of year for a Greenwitch (Susan Cooper) reread, since the book's action takes place over a week during the Easter holidays, in a fictional Cornish seaside town. It remains my favourite book in the Dark Is Rising sequence — melancholy and haunting, with the successful completion of its child characters' quest hingeing on people's (and in particular women and girls') symbiotic relationship with the sea. (In other words, is it any wonder that this one is my favourite?) I've got about forty pages to go, and I'll finish them during the aforementioned afternoon cup of tea.

Apart from all the other activities mentioned previously, Matthias and I spent a good bit of time sitting outside — at the riverside bar yesterday, and several visits to the courtyard garden of our favourite local cafe/bar. It really does lift the spirits to be able to eat and drink outdoors again, and it only remains for us to clean our garden furniture and deck — and then we can do so in our own garden, under the flowering (and later, fruiting) trees.

Idyllic really is the only word to describe how things have been these past four days.
dolorosa_12: (winter berries)
I've just come back downstairs after finishing today's yoga class — 35 minutes of slow, calming stretches, tucked up in the bedroom, watching the bare branches sway in the breeze and the clouds slowly fill the sky. This morning was much clearer — by the time I returned from swimming at 9am, the streets were full of people out and about and enjoying the bright winter weather.

It's been a weekend of good food. Matthias and I went out for our semi-annual joint birthday/Christmas present to each other: a meal at [instagram.com profile] restaurant22_cambridge. These are tasting menus with wine pairings, and a really nice treat, in a lovely restaurant located in an old terrace house in Cambridge. This particular iteration was delightful, and for once getting in and out of Cambridge by train went as smoothly as it's possible to go, which was very pleasing.

Other than going out for dinner, it's been a typical weekend with the usual array of Saturday morning fitness classes, buying groceries at the open air market, the aforementioned Sunday morning swim, yoga and so on. I suppose this will be the last time for this specific weekend routine for the year — next weekend I'll be in Cambridge all day on Saturday, and then Sunday will be a whirlwind of Christmas meal preparation, cleaning, and so on, and I'm not yet sure what will be going on on the New Year's Eve weekend. In any case, I'm pretty happy with the normal shape of my weekends, the result of various changes and habit-forming behaviour I implemented at the start of the year, all of which I plan to continue.

I'm satisfied, too, with my contribution to this year's Yuletide collection. At the final count, I've written my main assignment, and three treats, the last of which I finished editing earlier today. Hopefully they'll be well received. I have an idea for a fic for Fandom Trees, but it's not yet ready to post, and hopefully I'll be able to make at least one more contribution to that fest on top of that (since the expectation is that each participant should receive two gifts, I try to contribute at least an equal amount back).

It hasn't really been much of a weekend for reading — too much time spent out of the house for that — but I did pick up a copy of Emily Wilson's Iliad translation from the local independent bookshop, and have made a start on that. This is I think my third attempt to actually read the Iliad in translation — on every other occasion I'd get bogged down and bored in the endless lists of names, and give up — but I really loved Wilson's Odyssey translation, so I have high hopes that this third time will be the charm. I've always felt vaguely bad that as someone who spends so much fannish energy devoted to the sort of fanfic Briseis I've created in my head, and who has such strong opinions about various Iliad retellings and reimaginings, I've never managed to read the actual original epic poem that launched these thousands of other things.

As well as this doorstopper of a book, I'll be turning my attention to various seasonal rereads that I always do around this time of year: Cooper's The Dark Is Rising, Katherine Fabian and Iona Datt Sharma's novella 'Sing for the Coming of the Longest Night' (which I try to read on the actual day/night of the solstice), and The Bear and the Nightingale, the first, most frozen and wintry book in Katherine Arden's Winternight trilogy (which really is suited to a much colder climate than these mild East Anglian winters). And then it will be time for Yuletide to open, and I'll bury myself in the collection, and read all the wealth of small book fandom fanfic that appears at this time of year like my own personal winter harvest.

Can you tell that, although I have a week more work to go, I'm already somewhat in holiday mode?
dolorosa_12: (autumn branches)
I watched the recording of a Zoom conversation with Samantha Shannon, hosted by a Canadian independent bookshop. In it, she covers her two current series of books, but far more interesting to me is the discussion of the work involved in reissuing The Bone Season, ten years after it was first published, with heavy edits of the structure and content. This book — Shannon's debut — was written when she was 19 and published when she was 21, and she has apparently long been dissatisfied with it. She was given an opportunity that few authors are — to republish an 'anniversary edition' with the significant editorial changes that I mentioned. This has then necessitated lighter editing and subsequent reissuing of later books in the series (all of which will come out in May next year), meaning there are going to be two different versions of the first few books in the series existing simultaneously (and apparently confusing to read if you swap between the versions). I find the whole thing fascinating.



The next literary livestream I'll mention is happening later this week — 7pm British summer time on Friday — and is a British Library-hosted conversation between Natalie Haynes and Susan Cooper (later to be joined by Simon McBurney and Robert MacFarlane, who adapted The Dark Is Rising as a radio play last year). You can book tickets to view the Zoom conversation on the British Library website.

Finally, [personal profile] snickfic is hosting a no-frills friending meme — follow the link to participate.
dolorosa_12: (quidam)
The sweltering, humid weather continues, so thank you very much to everyone who commented on my most recent Friday open thread post. There's some good advice about tricks to combat sleeplessness, and I learnt a lot, which I very much appreciate.

I had to go into Cambridge for some errands yesterday, and as usual when this happens, Matthias and I made a day of it. Central Cambridge itself was heaving with people, so we avoided it for the most part, instead walking out across the fields for 5km or so into Madingley, where we ate lunch at the pub/restaurant there, sitting outside under a canopy, eating cold seafood, asparagus with potato dumplings, and heirloom tomato salad, washed down with crisp, white wine. It was lovely and relaxing, and the walk, while short and mainly across flat lands, was made more challenging by the heat. I stuck up a photoset on Instagram.

Twitter has been actively triggering (and I do not use that word lightly) for me for similar reasons relating to at least three unrelated situations, and by Friday I realised I'd hit my absolute limit, and haven't been back since. I'm pretty good at avoiding the place for long stretches when I know it's necessary (the longest period probably lasted around nine months, a couple of years ago), so it's likely to be a significant period of time before I go back again. To calm down and restore some sense of equilibrium, I've been focusing on the sorts of Instagram accounts that I find soothing — a lot of cottagecore-ish stuff, and generally people who post beautiful things. Here is a short, but illustrative list:

  • [instagram.com profile] westcountry_hedgelayer: a man who builds and restores traditional hedgerows in rural Britain

  • [instagram.com profile] provencallife: a man who posts beautiful photos and videos from various parts of Provence

  • [instagram.com profile] boroughchef: soothing cookery videos of vegetarian meals

  • [instagram.com profile] redrubyrose: a woman who makes bags, wallets, purses and scarves using hand-dyed materials, with lots of photos of her inspirations from nature, and the process of creating the products

  • [instagram.com profile] alysonsimplygrows: gorgeous photos of gardens, interiors, and renovations

  • [instagram.com profile] momentsbyjemma: photos and reels of interiors, cooking and baking, gardens and farmland taken by a woman who lives on a working farm in the south coast of New South Wales in Australia

  • [instagram.com profile] theswissshepherdess: breathtakingly beautiful photos and videos by a woman who, together with her husband, herds sheep, goats, cows and horses in the Swiss alps


  • The combination of the heat, and everything else, has left me feeling fairly uninspired when it comes to reading, but I've been working my way through rereads of the more 'summery' books in Susan Cooper's The Dark Is Rising series: so far I've done the two set in a Cornish seaside village (Greenwitch and Over Sea, Under Stone), and I'm just about to pick up Silver on the Tree. The first two make me yearn for the seaside, which I suppose is unsurprising. Silver on the Tree will likely irritate me all over again with that ending (if you know, you know), but we always have fanfic, of which I have contributed my share of fix its to this particular canon.

    I'll close off this post with a strong recommendation for the film that Matthias and I watched last night: Rye Lane, a romantic comedy about two young Black people in London, meeting in strange circumstances, telling each other their stories, revealing (and not revealing) truths about themselves, during a rambling, sweeping wander through the streets of London that in some way mirrors the rambling, sweeping way in which they both let one another into their lives. It's a glorious love letter to London — but a London seen through the eyes of an alternate universe version of Wes Anderson who is a Black, British, TikTok-using twentysomething, with a keen eye for the surreal and quirky. If you have Disney+, it should be available for you to watch as part of the subscription. It's compassionate and warm-hearted, made me laugh out loud in places, is sharply observed, and gorgeous to look at.
    dolorosa_12: (latern)
    It's my birthday today, and I feel I've had a day that was a mixture of restful, and getting stuff done. This was exactly how I wanted to spend it, so things worked out fine.

    I feel less and less enthused about making a big deal of birthdays, the more I have them, and it's been years since I've done anything celebratory that involved people other than Matthias or my immediate family. So I started the day with my usual swim, and then came home for breakfast, and yoga, and a delayed call with my dad, who had managed, as always, to phone when I was in the middle of doing something else (in this case, when I was submerged underwater at the pool). Later, there were video calls with my sister-in-law, nephews and niece, and with my mum and sister, like various hands reaching out from across the world.

    I always try to reread The Dark Is Rising around this time of year, and it was its usual delightful blend of the cozy and the supernatural, with all that dark and danger pressing in from outside against the light and warmth of home. I've loaded up my ereader with various other cozy books for the next week or so, the string lights are on, the candles are lit, and in general everything is calm and illuminated.

    I like this time of year, but it makes me contemplative and introspective.
    dolorosa_12: (winter branches)
    It's been a weekend of contrasts: Saturday was busy and full of people, with a trip into Cambridge to run several errands and go to the Mill Road Winter Fair, which was back after two years' hiatus due to the pandemic. This is one of my favourite regional events — it takes place on a long street in Cambridge which is home to most of the city's international grocery stores, a bunch of restaurants and cafes from South, Southeast and East Asia, Turkey, the Middle East and North Africa, as well as various Italian delis and independent cafes. The street gets pedestrianised, there are parades and live music, and all the cafes, shops and restaurants sell food from stalls outside their front doors. Even if a shop isn't one that sells food, they tend to set up stalls selling things like mulled wine, sweets or baked goods, or even more elaborate street food for the day. We were spoilt for choice when it came to lunch, cobbling a meal together from several different food trucks, and drinking mulled wine as we wandered up and down the road.

    Sunday was a much more typical affair for our household, with all the usual activities: swimming when the pool opened at 8am (with a cold walk home enlivened by various cats sitting in windows and a flock of swallows swooping back and forth across the morning sky, making a sound like gently-breaking waves in a quiet bay), stewed fruit and crepes cooked to the soundtrack of a Massive Attack album, writing Yuletide fic while the biathlon played in the background. I've just come back downstairs after doing my normal Sunday evening yoga, a stretchy slow flow to calm my typical end of the weekend anxiety.

    [community profile] fandomtrees has a few days to go before it closes for sign ups. My tree is here, and I'd definitely recommend this fest as a low-pressure opportunity to create some fanworks, and hopefully get some nice ones of your own.

    Robert Macfarlane's love of The Dark Is Rising is something I've always found very pleasing: I knew and enjoyed his nature writing before I knew we shared a love of Susan Cooper's children's books, and always felt he looked at the landscape with a similar eye to that of Cooper. So when I heard he was involved with a radio drama adaptation of the second book in the series, to be released around the same time of year as the story takes place, I was delighted. He's talked a bit more about his relationship with the books in a newspaper article for The Guardian.

    I've just read one book since my last log — Servant Mage (Kate Elliott), the first in a novella duology. I'm not sure whether it can be described as 'epic fantasy' due to its brevity, but it certainly has that scale in terms of its sense of the sweep of history, violent shifts in politics, simmering revolutionary movements, and the interaction between the supernatural and people's everyday lives. All Elliott's strengths as a writer are on display here: comprehensive and well thought through worldbuilding, an emphasis on power relations and the terror and destruction wrought by those with social standing on those who lack power (and the foolish lies the powerful enforce in order to maintain their position), and a sense of people and societies grappling with vast, rapid political upheaval and social change. Elliott always has an interest in writing about what happens after the revolution succeeds, or the prophesied chosen one claims his kingdom, or the 'bad' monarch is replaced by the 'good' — she's never been satisfied with the standard fantasy trilogy closure, only with genuine justice. I'm looking forward to the sequel.

    This is definitely a night to light a fire in the woodburning stove and burrow under one of the throw rugs — proper The Dark Is Rising weather, although hopefully not with the corresponding supernatural onslaught!
    dolorosa_12: (mountains)
    It's been a gloomy, rainy weekend — the kind of weather that makes you want to close the doors and windows, and snuggle up at home. Thankfully, I basically had no commitments, and could spend the weekend doing exactly that. In bullet points, I have:

    I cooked:

  • Stewed apples with cinnamon, and stewed plums, for our breakfasts for the next week.

  • Pasta with walnuts, capsicum, rocket and bacon, for Saturday dinner

  • Crepes, for Sunday breakfast

  • Herring salad, for Matthias's sandwiches next week

  • Cod with fennel, lemon, dill and potatoes for tonight's dinner (or at least I will do so in a couple of hours' time)


  • I exercised:

  • 1km swimming this morning

  • Yoga focusing on the upper body yesterday

  • Anti-anxiety yoga today


  • I wrote:

  • Lots and lots of replies to comments on my Friday open thread (you all have opinions about online platforms!

  • After some canon review, I made a start on my Yuletide assignment. I now know the general shape of the story, and, most importantly, have got some words written. I'd say I've written about a quarter of it so far.

  • A plan for a couple of Yuletide treats

  • This post


  • I watched:

  • Lots of TV, of which more in my monthly TV post tomorrow

  • Don't Worry Darling, a film that started out strong (with a real classic sci-fi vibe) but had an unimaginative twist.


  • I read:

  • Vespertine (Margaret Rogerson), a book about a girl who makes an alliance with the demon which is attempting to possess her. This novel was great fun, and is one of many I've encountered in recent years which is clearly written by someone of my generation who was very, very influenced by Garth Nix's Old Kingdom series.

  • The Grey King (Susan Cooper), my annual Halloween reread of the fourth Dark Is Rising book. The action of this melancholy book takes place over the days around Halloween, and it's very much about haunting. Characters are haunted by their memories of the dead, but even more so by their own feelings of guilt, regret, and grief. As always with Cooper, there's a great sense of place and some amazing imagery — fire roaring down the slate-grey Welsh mountains, hawthorn hedges bisecting sheep farms, our heroes answering riddles from deep within a cave, and the golden harp which wakes the dead when played. I love it!


  • And that's about the sum of my weekend.
    dolorosa_12: (autumn tea)
    I've just finished doing yoga — a slow, stretchy sequence, tucked upstairs in the bedroom, watching the night fall across the garden. Today is my birthday, and it's been a slow, sleepy day. I have:

  • Spoken to my father on the phone, and my mother and Sister #1 via FaceTime.

  • Gone for a short walk around the cathedral with Matthias, and picked up take-away bagels for lunch.

  • Pottered around online, catching up with Dreamwidth comments.

  • Drunk smoky Russian Caravan tea and eaten a segment of an incredibly rich marzipan brownie.

  • Made a plan for the remaining meals up to 27th December (in light of the fact that we're now staying at home rather than going away to Germany.


  • I've also finished one book: Skin of the Sea by Natasha Bowen, a YA fantasy novel which blends Andersen's The Little Mermaid with Yoruba mythology and West African history. I found the story to be really well written, and it's undoubtedly a good example of the type, but I find myself a bit wearied by tropey YA novels, particularly if they're told in first-person present tense, which they almost invariably are, and for this reason I perhaps didn't warm to the book as much as I would have done several years ago. The building blocks of the story are really interesting, and are put together well, it just wasn't what I was looking for in a book at the moment.

    I'm now embarking on my annual The Dark is Rising reread, and it's like falling into a pile of warm blankets. The prose is as crisp as always, and the imagery — stark country lanes piled high with drifts of snow, otherwordly horses moving through unearthly ancient forests, and the contrasting warmth and hope of family and home — is as vivid and beautiful on this reread as it was the first time I opened this book. I feel as if its story is needed more this year than ever, and sinking back into those familiar pages is like coming home. It's wonderful.
    dolorosa_12: (winter berries)
    And that's how it's done.

    You can always rely on Lib Dems to do the most awkward-looking, dorky, heavy-handed stunts. [WINNING HERE.]

    For context, I'm no Lib Dem voter, but I'm an anything-but-the-Tories voter who will vote tactically when required and yearns for electoral reform. (First past the post is the antithesis of democracy, and tactical voting and anti-Tory alliances are the only tools at our disposal to fight it.) At present I have no time for liberals fearmongering about the 'far left,' purity posturing from disgruntled Corbyn cultists, or anyone accusing people slightly to the right of them of being 'Blairites': there are fascists at the gates, and all of these ideological differences pale in comparison.

    *


    Meanwhile, Ely has big The Dark Is Rising energy today.

    I've finished work for the week, the month, and the year, and I am determined to be happy.
    dolorosa_12: (fever ray)
    My living room is full of lit candles, I've broken out the sloe gin for the first time this year, and daylight saving time ended last night. I'm not really one for Halloween (although I love seeing photos of friends' small children dressed up in adorable costumes), but I am very much one for marking arbitrary turning points in the year with my own invented rituals.

    And so, this year, I decided that I would not limit my annual Susan Cooper reread to The Dark Is Rising at the height of midwinter. Instead, I would add to that by reading all five books in Cooper's sequence at the times during which their action takes place. The books in this series are as grounded in time — the turning points of the seasons — as they are in place, so much so that it would be impossible to switch out one book for another (moving Over Sea, Under Stone to autumn, for example, or Greenwitch to high summer). The stories they tell wouldn't work at any other time of the year.

    The Grey King, is, above all things, a ghost story. Folkloric 'Sleepers' wake at the call of a magical harp and ride the land again, driving out evil. Will Stanton, the lonely child hero of the series, chases after the ghosts of old Arthuriana, hovering at the edge of his supernatural awareness. And, at the heart of novel are the unquiet ghosts of the past — family secrets, hidden small-scale conflicts in a Welsh farming community, a lonely boy bewildered by his confusing heritage, and the pain all this causes by being left unacknowledged by all concerned. Everyone in this book is haunted, and its story could not be told at any time other than the days on either side of 31st October. The Dark Is Rising sequence is at its strongest when it weaves the personal and domestic with the supernatural, the human with the cosmic struggle between the dark and light, and it does so with particular poignancy in this book.

    The Grey King is, in my opinion, the heaviest of Cooper's works in this series. It's still a children's book, and so good must triumph in the end, but here the triumph feels particularly hard won, like coming up for air for one exhausted last breath before the next onslaught, a temporary respite from the storm. There is hope, yes, but it's the hope that comes from surviving to fight another day, and the weary knowledge that each battle is getting harder, and taking more and more of a toll. It's a beautiful book, but not a restful one — the literary equivalent of the end of daylight saving time, and the knowledge that the dark of night will last a little longer every day for some months now.

    I'm so glad I chose to reread this perceptive, melancholy little book today.
    dolorosa_12: (christmas lights)
    I'm feeling extremely run down and tired today, so I'll keep this post short and sweet — rather like the book in question:

    22. A warm blanket of a book

    My answer )



    The other days )
    dolorosa_12: (autumn tea)
    It's been a cozy weekend — a bit of cooking, a few walks out in the clear winter sunshine, and quite a lot of reading and writing. I've finished off the first of my planned Yuletide treats, and am pretty satisfied with the result.

    I've embarked on the beginning of a Dark Is Rising sequence reread. So far I've read the first three books, and it's reminding me again of how intensely I love this series. What it's also reminding me, though, is that the seeds of the extremely frustrating ending are very much there from the beginning — and knowing how the series concludes makes all those little hints all the more glaring. I think that Greenwitch remains my favourite — it's just such a weird little book, and any story that's about the unknowable, uncontrollable power of the sea is definitely going to find favour with me.

    Other books read this month )

    I'm currently reading Guy Gavriel Kay's A Brightness Long Ago, which, like all his fiction, is set in a fake fantasy version of our own world — in this case, Renaissance Italy, with its mess of city states and warring dynasties. It's a very GGK novel (those familiar with his work will know what I mean), with his usual character types, and I love it a lot so far. There was a moment, early on in the book, where one of the characters quotes a poem by Ammar from The Lions of Al-Rassan, except of course that so much time and history has passed that he has no idea of the name of the poem's author, and I felt a bit weepy. Ammar's name is gone, lost in the dust of time, but his words remain, and people still quote them, and find them meaningful. Oh, my heart.

    I've signed up for a seasonal multifandom gifting fest — [community profile] fandomtrees, which is very much in the style of last year's [community profile] in_a_peartree (in which I participated), and [community profile] fandom_stocking (in which I have not). If anyone is interested, I recommend signing up, and, if anyone is so moved to create gifts, my 'tree' is here. I'm requesting a lot of female-centric fandoms ... and icons of plants/trees/summery/wintery/autumnal/spring-like things. In any case, it looks like a fun, low-pressure fest.

    I hope everyone's been having lovely weekends!
    dolorosa_12: (fever ray)
    I have a friend who rereads Susan Cooper's The Dark Is Rising every winter, aiming to match her reading to the days and nights in the leadup to Christmas, and days between Christmas and New Year's Eve, in which the events of the book take place. (I'm considering doing a similar thing this year, except I want to read the entire Dark Is Rising sequence. The problem with this approach is that Over Sea, Under Stone is so clearly set in the northern summer, and The Grey King feels really autumnal to me, so those books don't match with the current season at all.)

    I've been meaning to reread Katherine Arden's Winternight trilogy for ages, but kept putting it off until the season was suitably wintry and icy to suit the books.

    Do any of you have similar seasonal rereads — stories to which you return repeatedly, but only at the appropriate moment of the year? (Seasonal rewatches also fit here.) I'm really interested to find out if this is a widespread thing among people I know.
    dolorosa_12: (robin marian)
    Thirty Day Book Meme Day 21: Summer Winter read

    I've made the decision to change this to winter, because I can't think of any specifically summery, holiday-type books that I would make a point of reading at that time. Generally in the summer holidays I read a lot, but it tends to be new or new-to-me books, rather than going back to old favourites.

    In winter, however, it's a different story. The Dark Is Rising by Susan Cooper is one book that seems made for rereading in the depths of midwinter — especially given how rooted in a time it is, those few days in the lead-up to Christmas and the new year, the snow and bare trees and Christmas decorations of a rural English Christmas so lovingly described. I reread it often at that time of year, and I frequently find myself writing Yuletide fic for the The Dark Is Rising fandom, so it's very much a feature of late December to me. A couple of years ago, [twitter.com profile] RobGMacfarlane instigated a Twitter bookclub to reread the book, and share thoughts under the #thedarkisreading hashtag, which was lots of fun.

    The other days )

    Do any of you have seasonal favourites, whether summer or winter?
    dolorosa_12: (flight of the conchords)
    When I was a child and teenager, I consumed stories with an urgent, hungry intensity. I reread favourite books again and again until I could quote them verbatim,* I wandered around the garden pretending to be Snow White or Ariel from The Little Mermaid or Jessica Rabbit.** I had a pretty constant narrative running through my head the whole time I was awake, for the most part consisting of me being the character of a favourite story doing whatever activity I, Ronni, happened to be doing at the time. (No wonder I was a such a vague child: every activity required an extra layer of concentration in order for me to figure out why, say, the dinosaurs from The Land Before Time would be learning multiplication at a Canberra primary school.) The more I learnt about literary scholarship, the more insufferable I became, because I would talk at people about how 'URSULA LE GUIN WROTE A STORY WHERE EVERYTHING HAS A TRUE, SECRET NAME AND THEN ANOTHER USE-NAME AND ISN'T THAT AMAZING IN WHAT IT SAYS ABOUT IDENTITY?!?!' For the most part, I don't inhabit stories to the same extent, and they don't inhabit me to the same degree, although there are rare exceptions to this.

    The rare exceptions tend to be things that sort of satisfy my soul in some deep and slightly subconscious way.*** And the funny thing is that although I can write lengthy essays explaining why something both appeals to me on this hungry, emotional level and is a good work of literature (indeed, I have been known to dedicate a whole blog to this), I can also remember a specific moment when reading/watching these texts and they suddenly became THE BEST THING EVER. I can remember exactly what it was for all of them.

    The following is somewhat spoilerish for Romanitas, Sunshine by Robin McKinley, Galax-Arena by Gillian Rubinstein, The Dark is Rising by Susan Cooper, The Demon's Lexicon, The King's Peace by Jo Walton, Parkland by Victor Kelleher, Buffy the Vampire Slayer, Robin Hood: Men in Tights,
    Ten Things I Hate About You, Cirque du Soleil, Pagan's Crusade by Catherine Jinks and His Dark Materials by Philip Pullman.


    Probably a closer look at my subconscious than is comfortable )

    Do you have moments like that?
    ____________
    *Which led to a very awkward moment in Year 5 when our teacher was reading Hating Alison Ashley out loud to the class, but would skip bits from time to time - whereupon I would correct her.
    **(whose appeal was less that she wasn't 'bad, just drawn that way' and more due to the fact that she wore an awesome dress)
    ***I've seen people describe fanfic like this as 'idfic', but for me this tends to be a phenomenon of professionally published fiction.

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