dolorosa_12: (black sails)
It always takes me a lot of words to get to the point. If you want two songs which each say, in five minutes, what it took several thousand words for me to say in my previous post, here you go.

The US version:



Lyrics.

The UK version:



Lyrics.

It is fairly obvious to me what Calexico in the first song, and Massive Attack in the second song are saying, but I am very happy to clarify if it's unclear.

Also, the notion that no one made viable protest music after the 1970s is patently absurd, and anyone who makes such a claim has not been paying attention.
dolorosa_12: (fever ray)
It's boiling hot, I'm already half in holiday mode (although I have two more days of work left before going on leave), and I've just read a book which made such baffling narrative decisions that I think I'm going to have to write a separate post about it.

Let's answer the penultimate two fandom meme questions.

Days 17-18 )

The other days )
dolorosa_12: (dolorosa)
Thank you all so much for your comments on my last post. They are in large part responsible for my vastly improved mood this weekend.

Other good things:

  • Cooking

  • Helping Matthias assemble our new exercise bike, and using it to work out for a bit today

  • Buying lots of novellas (new Aliette de Bodard! The novellas by Zen Cho and Nghi Vo that I'd been putting off buying due to the cost!) and other nice things online

  • Crepes for breakfast, and fresh flowers in the living room

  • Watching the rain fall on the windows


  • I also come bearing (music-related) links: one newspaper interview, one new-to-me song, and one old song that I remembered last night.

    As you may recall, I love Massive Attack inordinately. I therefore very much enjoyed this interview in The Guardian with Robert Del Naja, in which he says a lot of stuff that I agree with about the dangers of uncritical nostalgia:

    'Certain groups attempted to engineer a culture war and divide opinion to keep us distracted from the fact that even though a few statues have been removed [in the wake of BLM protests], they’re still in power and it still isn’t working. Their version of the world is a failure and it’s their ghosts that are being exorcised.'

    Matthias put me on to this fantastic song. The video clip feels very early 2000s Massive Attack, in fact. (Warning for lots of visuals of body horror, surgical implements, and eye trauma.)



    For some reason, this led (via some Youtube segueing) to this song:



    And so on I go.
    dolorosa_12: (mucha music)
    Welcome back to another one of my crowd-sourced Friday open threads. This one is a prompt from [personal profile] dhampyresa, and is close to my music-loving heart.

    The prompt is: what's your favourite song and/or the one that most speaks to or inspires you?

    My answer behind the cut )

    I'm looking forward to hearing some excellent music as a result of everyone's replies here!

    dolorosa_12: (emily hanna)
    The 'Aims Project' is a multifandom vid album, in which each participant has made a fanvid using the music of one song from Vienna Teng's Aims album. Each vid is astoundingly lovely.

    I was recently alerted to the existence of 'We Are Sansa Stark', an old essay on Pornokitsch. I don't agree with every one of its conclusions - particularly that Sansa is definitely going to end up a major political player in the series - nor do I think it's helpful to criticise fandom for pitting Sansa and Arya against each other and then...do the same. But I love Sansa and characters like her, and sometimes it's just nice to see them get a bit of love.

    This post by [tumblr.com profile] anneursu takes all the sneering critics of YA literature to task, and does so excellently. Read the whole thing.

    'When Gods and Vampires Roamed Miami' is a short story by Kendare Blake published on Tor.com. It's set in the world of her Goddess Wars series (which I hadn't heard of but then promptly reserved at the library), and is set in a mid-'90s Miami crawling with gods and goddesses, and Lost Boys-inspired vampire wannabes.

    I'm a massive fan of this animated credits to Buffy the Vampire Slayer by Stephen Byrne.

    While we wait impatiently for Ancillary Sword, Orbit has put an excerpt from the first chapter up on its website.

    This Massive Attack retrospective sums up all my overwhelming feelings of love for this band:

    British trip hop pioneers Massive Attack are one of the most celebrated acts in the history of electronic music. Their atmospheric take on hip hop and R&B, with elements of soul, funk, jazz and electronica, was an exciting new sound in the late ’80s and early ’90s. They pioneered the genre now known as trip hop and quickly became hugely influential all around the world. Few electronic acts are held in such high regard as the Bristol-bred outfit. If they had never released their five studio albums, some of today’s great artists may never have gone down the musical paths they chose. Massive Attack are more than a band, they made us rethink how music can be created, and redefined what a band could be.

    I still haven't got my copy of Unmade by [livejournal.com profile] sarahtales (Sarah Rees Brennan) and thus can't participate in all the revelry, but she has some great fanart up on her blog, as well as the schedule for her blog tour. I'll be checking out all those posts once I've got around to reading the book.

    'I Don't Know How But I Know I Will' is an 8tracks mix by angrygirlsquad 'for those days where you see no way through. you haven’t failed. you are alive. everything else is bonus'.

    I hope you are all feeling loved by the people you love, flist.
    dolorosa_12: (flight of the conchords)
    Instead of packing up my stuff in order to move house on Wednesday, I blogged. I wrote two posts on Geata Póeg na Déanainn.

    The first is about Massive Attack.

    The second one is a post of quotes that I love.

    Enjoy!
    dolorosa_12: (flight of the conchords)
    Instead of packing up my stuff in order to move house on Wednesday, I blogged. I wrote two posts on Geata Póeg na Déanainn.

    The first is about Massive Attack.

    The second one is a post of quotes that I love.

    Enjoy!
    dolorosa_12: (flight of the conchords)
    In a rather roundabout manner, I found myself at a site analysing Massive Attack's lyrics. Sadly, most of the analyses are not particularly earth-shattering (I know, I shouldn't just snipe from the sidelines - if I think I could do a better job, I should do it myself). The thread unpicking Risingson is worth reading, however. I also liked the point someone made in the thread about Dissolved Girl, that Dissolved Girl is Inertia Creeps Part II. (And why can't Inertia Creeps be Dissolved Girl Part II?)

    What with all the time I seem to spend here unpicking the meanings of song lyrics, I wonder if I should join some music forums. I've loved unpicking books on book forums. The problem is, even on the internet I'm too self-aware to jump into a new place if I think I'll run the risk of behaving really n00bishly. I've had years of practice talking with authority about books when I don't really know what I'm talking about, but I don't think I quite have the musical knowledge to pull it off on a music forum. Oh, sure, I can analyse lyrics until Massive Attack reforms with its original line-up the cows come home, but when it comes to being all technical about music, I'm lost.

    I still think Mezzanine is about CorneliaCaelaNoah and AsterionWeyland in Sara Douglass's Troy Game series, though. And nothing will convince me otherwise.

    EDIT: And because this is the way my mind works, the next destination in The Journey of the RonniWanderer was (after much searching on Google) [livejournal.com profile] celestineangel's review of the first of Sara Douglass's Troy Game series, Hades' Daughter. I'm still falling over laughing at the character descriptions. I like such messed up books, and such messed up music. (Messed up? Me? Who would've thought?)
    dolorosa_12: (flight of the conchords)
    In a rather roundabout manner, I found myself at a site analysing Massive Attack's lyrics. Sadly, most of the analyses are not particularly earth-shattering (I know, I shouldn't just snipe from the sidelines - if I think I could do a better job, I should do it myself). The thread unpicking Risingson is worth reading, however. I also liked the point someone made in the thread about Dissolved Girl, that Dissolved Girl is Inertia Creeps Part II. (And why can't Inertia Creeps be Dissolved Girl Part II?)

    What with all the time I seem to spend here unpicking the meanings of song lyrics, I wonder if I should join some music forums. I've loved unpicking books on book forums. The problem is, even on the internet I'm too self-aware to jump into a new place if I think I'll run the risk of behaving really n00bishly. I've had years of practice talking with authority about books when I don't really know what I'm talking about, but I don't think I quite have the musical knowledge to pull it off on a music forum. Oh, sure, I can analyse lyrics until Massive Attack reforms with its original line-up the cows come home, but when it comes to being all technical about music, I'm lost.

    I still think Mezzanine is about CorneliaCaelaNoah and AsterionWeyland in Sara Douglass's Troy Game series, though. And nothing will convince me otherwise.

    EDIT: And because this is the way my mind works, the next destination in The Journey of the RonniWanderer was (after much searching on Google) [livejournal.com profile] celestineangel's review of the first of Sara Douglass's Troy Game series, Hades' Daughter. I'm still falling over laughing at the character descriptions. I like such messed up books, and such messed up music. (Messed up? Me? Who would've thought?)
    dolorosa_12: (dreaming)
    Swiped from [livejournal.com profile] boojumlol. This took far longer than it should've, because it was too much fun. I know my music memes are probably boring for most of you, but I quite enjoy doing them.

    *Pick a band and answer the following questions with a lyric phrase from that band only*

    I chose Massive Attack, of course.


    1.ARE YOU MALE OR FEMALE?

    You're a boy and I'm a girl
    But you know you can lean on me
    And I don't have no fear
    I'll take on any man here
    Who says that's not the way it should be

    2. DESCRIBE YOURSELF:
    Flickering I roam


    3.HOW DO SOME PEOPLE FEEL ABOUT YOU?
    Why don't you close your eyes and reinvent me


    4. HOW DO YOU FEEL ABOUT YOURSELF?
    This girl I know needs some shelter
    She don't believe anyone can help her
    She's doing so much harm, doing so much damage
    But you don't want to get involved
    You tell her she can manage
    And you can't change the way she feels
    But you could put your arms around her

    I know you want to live yourself
    But could you forgive yourself
    If you left her just the way
    You found her


    5. DESCRIBE YOUR CURRENT BOYFRIEND/GIRLFRIEND OR INTEREST:
    Eat me
    In the space
    Within my heart

    (and)

    I'm a little curious of you in crowded scenes

    (and)

    You light my ways through the club maze
    [...]
    See me run now you're gone...dream on


    6. WHERE WOULD YOU RATHER BE RIGHT NOW?
    Daydreaming admiring being
    Quietly, open the world
    I hear the time of the starry sky
    Turning over at midnight


    7. DESCRIBE WHAT YOU WANT TO BE:
    I already know my children's children's faces
    Voices that I've heard before
    There's always more
    There's always more

    Wondering leaving the sea behind
    To my home which everybody owns
    Wondering, wondering
    Where we can do what we please
    Wondering

    I feel like a thousand years have passed
    I'm younger than I used to be
    I feel like the world is my home at last
    I know everyone that I meet


    8. DESCRIBE HOW YOU LIVE:
    I quietly observe standing in my space
    Daydreaming
    Well I'm floating on air when I'm
    Daydreaming


    9. DESCRIBE HOW YOU LOVE:
    Shame, such a shame
    I think I kind of lost myself again


    10. HOW ARE YOU FEELING RIGHT NOW?
    Basically this whole song sums it up.
    Also

    We can unwind
    All these other flaws
    All these other flaws
    Will lead to mine
    We'll see to
    All these other flaws
    All these other flaws
    We'll see to
    All these flaws
    Will lead to mine
    We can unwind all our flaws


    11. HOW DO YOU FEEL ABOUT LIFE IN GENERAL?
    All's there to love
    Only love


    12. PICK A RANDOM FRIEND AND DESCRIBE THEM:
    Take a second of me you beckon I'll be
    And when you're sad I'll mourn
    And when you tear I'm torn

    13. PICK A RANDOM FAMILY MEMBER AND DESCRIBE:
    You've got a baby of your own
    When your baby's gone, she'll be the one
    To catch you when you fall


    14. DESCRIBE HOW YOU FEEL ABOUT YOUR JOB/SCHOOL:
    Somewhere in the music I can hear the bells
    I heard a thousand years before
    There's always more
    There's always more

    Wondering is this there all there is
    Since I was, since I began to be
    Wondering, wandering
    Where we can do what we please
    Wondering

    15. SHARE A FEW WORDS OF WISDOM:
    Love, love is a verb
    Love is a doing word
    dolorosa_12: (dreaming)
    Swiped from [livejournal.com profile] boojumlol. This took far longer than it should've, because it was too much fun. I know my music memes are probably boring for most of you, but I quite enjoy doing them.

    *Pick a band and answer the following questions with a lyric phrase from that band only*

    I chose Massive Attack, of course.


    1.ARE YOU MALE OR FEMALE?

    You're a boy and I'm a girl
    But you know you can lean on me
    And I don't have no fear
    I'll take on any man here
    Who says that's not the way it should be

    2. DESCRIBE YOURSELF:
    Flickering I roam


    3.HOW DO SOME PEOPLE FEEL ABOUT YOU?
    Why don't you close your eyes and reinvent me


    4. HOW DO YOU FEEL ABOUT YOURSELF?
    This girl I know needs some shelter
    She don't believe anyone can help her
    She's doing so much harm, doing so much damage
    But you don't want to get involved
    You tell her she can manage
    And you can't change the way she feels
    But you could put your arms around her

    I know you want to live yourself
    But could you forgive yourself
    If you left her just the way
    You found her


    5. DESCRIBE YOUR CURRENT BOYFRIEND/GIRLFRIEND OR INTEREST:
    Eat me
    In the space
    Within my heart

    (and)

    I'm a little curious of you in crowded scenes

    (and)

    You light my ways through the club maze
    [...]
    See me run now you're gone...dream on


    6. WHERE WOULD YOU RATHER BE RIGHT NOW?
    Daydreaming admiring being
    Quietly, open the world
    I hear the time of the starry sky
    Turning over at midnight


    7. DESCRIBE WHAT YOU WANT TO BE:
    I already know my children's children's faces
    Voices that I've heard before
    There's always more
    There's always more

    Wondering leaving the sea behind
    To my home which everybody owns
    Wondering, wondering
    Where we can do what we please
    Wondering

    I feel like a thousand years have passed
    I'm younger than I used to be
    I feel like the world is my home at last
    I know everyone that I meet


    8. DESCRIBE HOW YOU LIVE:
    I quietly observe standing in my space
    Daydreaming
    Well I'm floating on air when I'm
    Daydreaming


    9. DESCRIBE HOW YOU LOVE:
    Shame, such a shame
    I think I kind of lost myself again


    10. HOW ARE YOU FEELING RIGHT NOW?
    Basically this whole song sums it up.
    Also

    We can unwind
    All these other flaws
    All these other flaws
    Will lead to mine
    We'll see to
    All these other flaws
    All these other flaws
    We'll see to
    All these flaws
    Will lead to mine
    We can unwind all our flaws


    11. HOW DO YOU FEEL ABOUT LIFE IN GENERAL?
    All's there to love
    Only love


    12. PICK A RANDOM FRIEND AND DESCRIBE THEM:
    Take a second of me you beckon I'll be
    And when you're sad I'll mourn
    And when you tear I'm torn

    13. PICK A RANDOM FAMILY MEMBER AND DESCRIBE:
    You've got a baby of your own
    When your baby's gone, she'll be the one
    To catch you when you fall


    14. DESCRIBE HOW YOU FEEL ABOUT YOUR JOB/SCHOOL:
    Somewhere in the music I can hear the bells
    I heard a thousand years before
    There's always more
    There's always more

    Wondering is this there all there is
    Since I was, since I began to be
    Wondering, wandering
    Where we can do what we please
    Wondering

    15. SHARE A FEW WORDS OF WISDOM:
    Love, love is a verb
    Love is a doing word

    Le Weekend

    May. 19th, 2008 10:25 am
    dolorosa_12: (dreaming)
    Ronni (in sing-song voice): Good mor-ning ev-ery-one!
    Class (in same): Good mor-ning Ronn-i!
    Ronni: For news today I'm going to talk about what I did on my weekend.

    I hardly ever seem to talk about ACTUAL REAL LIFE RIGHT NOW in this blog. A quick flick back through old posts reveals the vast majority of them are reminiscences, book-reviews, or extended squeeing over whatever I happen to be fangirling at the moment. It's not that nothing ever happens to me, it's more that...other stuff is more interesting.

    Well, anyway.

    On Saturday morning, Mimi and I took Mum out to breakfast for a belated Mothers' Day. We usually do this, and we usually do it on a day other than Mothers' Day anyway, since Mum, who is the third-most impatient person I know, hates to be in cafes overflowing with the Mothers' Day crowd. Breakfast was a typically insane affair. I had to work at 10, and Mimi had to work at 11, but then wasted half the morning blow-drying her hair. Mum and I couldn't wait, and rushed off to the cafe and started ordering, whereupon Mimi rushed up, hair now blow-dried to perfection, to join us.

    Then I raced off to work, which was its usual mix of calming, 'I've-been-doing-this-for-years' fun and 'I've-worked-in-retail-and-thus-lost-all-faith-in-humanity' bizarreness. Are people really so stupid that they think they need to ask me to put their cakes in boxes? It appears so. I wonder what they'd say if I responded to their 'do you have a box for that?'s with 'No, I was thinking of putting it directly into a plastic bag so it can get extra squashed in preparation for your big birthday party.' Morons.

    On Saturday night I went to drinks celebrating the birthday party of one of the women at the school. After much difficulty finding the damn place, I made it. It was fun, but a bit bizarre. The men-to-women ratio was very skewed: there were about 30 women and only five or six men. I haven't been somewhere with so many single women since...well, since I have no idea when.

    On Saturday we had a family birthday party for my grandfather and my aunt Lynne, the two May birthday people. Phillips parties are always fun, but a bit predictable in their insanity. My grandmother will fuss and worry (about the food, about whoever hasn't arrived yet, about...anything), the aunts will flutter about competently, organising the food, the table and the rest of the family, my little cousins will be cute and out of control, Mimi, the older cousins and I will help where we can, and my grandfather will miss out on most of what's being said. All of this will be done with everyone speaking over the top of one another, lots of rushing from kitchen to dining room, and minor disagreements about everything from the arrangement of the furniture to where the matches are. It was a bit of a smaller event this time, because [livejournal.com profile] the_lil_spoon and my cousin, her fiance, are getting married this weekend and had to stay at home to do last-minute wedding preparations, Mimi was at work, and my cousin Lewis was at a birthday party. So, more food for all!

    We got home around 6.30ish, and after a brisk editing of Mimi's Art History essay, I jumped online for a bit. I Skyped with Raphael for a while; it was good to talk to him, since neither of us have been around much.

    Then I watched The Ruby In The Smoke on TV. I'd already seen this adaptation of Philip Pullman's fantastic book, as it showed in the UK ages ago and [livejournal.com profile] paul_temple had sent me a DVD of it, as well as of The Shadow in the North, the next in the series. But it was nice to see it finally in the ABC Sunday night bonnet drama timeslot where it belongs! I thought they did a good job, ultimately, but I thought the casting was pretty woeful.

    My quibbles:
    It's all lovely and PC to randomly make some characters black, but the casting people should remember that this is an adaptation of a book set in the Victorian era. Nicholas and Matthew Bedwell are not black. It'd be nice to imagine a colour-blind late 19th-century England, but, unfortunately, a black clergyman ministering to a white congregation in Oxford would've raised a few eyebrows (to say nothing of an interracial relationship between a black Nicholas Bedwell and white Rosa Garland, which happens later in the series).
    The guy playing Jim was too old. He's meant to be about 13 in the first book, not in his late teens/early 20s. I guess their reasoning was that people might not know that in the Victorian era, 13-year-olds had full-time jobs. I guess they thought that people might wonder why 13-year-old Jim was working at a shipping agency.
    Fred Garland was played as too...well, I don't want to say poncy, but unfortunately, that was how he came across. Remember, this guy has to be someone who might credibly be able to kill Jonathan Berry (a monumentally strong murderer).
    Sally came across as too weak and weepy. The point made continually in the books is that she's a very rational, calm, collected young woman. This serves as a contrast to the few times that she gets genuinely emotional, highlighting the deep significances of such moments.

    What can you do? TV or movie adaptations never manage to get it quite right.

    _______________________________________________________________________________
    As you know, I've always got a few things with which I'm utterly obsessed at any given moment. Right now, in terms of TV and movies, it's Firefly, which is, being by Joss Whedon, beyond awesome. I've watched it before, of course, but not for a while. If I were as wittily quotable as the characters on that show...I'd probably have a successful career as a writer, but, oh well.
    Book-wise, I'm desperate to read Little Brother by Cory Doctorow. I'm a young-adult reviewer, and this is probably going to be one of the best YA books of the year, and yet tracking down a copy (not a free download, I love the idea of free downloads, but I love holding a book in my hands even more) is proving rather difficult.
    Music-wise, I'm going through a Massive Attack phase, again. Massive Attack has been one of my favourite bands since I was about 15 (I don't do change well, and once I love something, I tend to love it forever). I was enthusing before about Joss Whedon's brilliant wittiness, and Massive Attack has it too, in a different way. Mostly, I prefer music with interesting lyrics, and Massive Attack certainly is the top of the clever-lyrics brigade:
    'I'm a little curious of you in crowded scenes/And how serene your friends and fiends/We flew and strolled as two eliminated gently/Why don't you close your eyes and reinvent me?' - Mezzanine
    'I was looking back to see if you were looking back at me/To see me looking back at you' - Safe From Harm
    My personal favourite comes from Teardrop: 'Love, love, is a verb/Love is a doing word'. Mimi scornfully said 'that's just about having sex, Ronni', and I got into a fight with Raphael and [livejournal.com profile] romen_dreamer over whether this song is about drugs. ([livejournal.com profile] romen_dreamer said, 'So, what, if you don't know what it's about, it's automatically about drugs?") I personally think most of the songs are about having sex while on drugs. While being completely witty about it, of course...

    Le Weekend

    May. 19th, 2008 10:25 am
    dolorosa_12: (dreaming)
    Ronni (in sing-song voice): Good mor-ning ev-ery-one!
    Class (in same): Good mor-ning Ronn-i!
    Ronni: For news today I'm going to talk about what I did on my weekend.

    I hardly ever seem to talk about ACTUAL REAL LIFE RIGHT NOW in this blog. A quick flick back through old posts reveals the vast majority of them are reminiscences, book-reviews, or extended squeeing over whatever I happen to be fangirling at the moment. It's not that nothing ever happens to me, it's more that...other stuff is more interesting.

    Well, anyway.

    On Saturday morning, Mimi and I took Mum out to breakfast for a belated Mothers' Day. We usually do this, and we usually do it on a day other than Mothers' Day anyway, since Mum, who is the third-most impatient person I know, hates to be in cafes overflowing with the Mothers' Day crowd. Breakfast was a typically insane affair. I had to work at 10, and Mimi had to work at 11, but then wasted half the morning blow-drying her hair. Mum and I couldn't wait, and rushed off to the cafe and started ordering, whereupon Mimi rushed up, hair now blow-dried to perfection, to join us.

    Then I raced off to work, which was its usual mix of calming, 'I've-been-doing-this-for-years' fun and 'I've-worked-in-retail-and-thus-lost-all-faith-in-humanity' bizarreness. Are people really so stupid that they think they need to ask me to put their cakes in boxes? It appears so. I wonder what they'd say if I responded to their 'do you have a box for that?'s with 'No, I was thinking of putting it directly into a plastic bag so it can get extra squashed in preparation for your big birthday party.' Morons.

    On Saturday night I went to drinks celebrating the birthday party of one of the women at the school. After much difficulty finding the damn place, I made it. It was fun, but a bit bizarre. The men-to-women ratio was very skewed: there were about 30 women and only five or six men. I haven't been somewhere with so many single women since...well, since I have no idea when.

    On Saturday we had a family birthday party for my grandfather and my aunt Lynne, the two May birthday people. Phillips parties are always fun, but a bit predictable in their insanity. My grandmother will fuss and worry (about the food, about whoever hasn't arrived yet, about...anything), the aunts will flutter about competently, organising the food, the table and the rest of the family, my little cousins will be cute and out of control, Mimi, the older cousins and I will help where we can, and my grandfather will miss out on most of what's being said. All of this will be done with everyone speaking over the top of one another, lots of rushing from kitchen to dining room, and minor disagreements about everything from the arrangement of the furniture to where the matches are. It was a bit of a smaller event this time, because [livejournal.com profile] the_lil_spoon and my cousin, her fiance, are getting married this weekend and had to stay at home to do last-minute wedding preparations, Mimi was at work, and my cousin Lewis was at a birthday party. So, more food for all!

    We got home around 6.30ish, and after a brisk editing of Mimi's Art History essay, I jumped online for a bit. I Skyped with Raphael for a while; it was good to talk to him, since neither of us have been around much.

    Then I watched The Ruby In The Smoke on TV. I'd already seen this adaptation of Philip Pullman's fantastic book, as it showed in the UK ages ago and [livejournal.com profile] paul_temple had sent me a DVD of it, as well as of The Shadow in the North, the next in the series. But it was nice to see it finally in the ABC Sunday night bonnet drama timeslot where it belongs! I thought they did a good job, ultimately, but I thought the casting was pretty woeful.

    My quibbles:
    It's all lovely and PC to randomly make some characters black, but the casting people should remember that this is an adaptation of a book set in the Victorian era. Nicholas and Matthew Bedwell are not black. It'd be nice to imagine a colour-blind late 19th-century England, but, unfortunately, a black clergyman ministering to a white congregation in Oxford would've raised a few eyebrows (to say nothing of an interracial relationship between a black Nicholas Bedwell and white Rosa Garland, which happens later in the series).
    The guy playing Jim was too old. He's meant to be about 13 in the first book, not in his late teens/early 20s. I guess their reasoning was that people might not know that in the Victorian era, 13-year-olds had full-time jobs. I guess they thought that people might wonder why 13-year-old Jim was working at a shipping agency.
    Fred Garland was played as too...well, I don't want to say poncy, but unfortunately, that was how he came across. Remember, this guy has to be someone who might credibly be able to kill Jonathan Berry (a monumentally strong murderer).
    Sally came across as too weak and weepy. The point made continually in the books is that she's a very rational, calm, collected young woman. This serves as a contrast to the few times that she gets genuinely emotional, highlighting the deep significances of such moments.

    What can you do? TV or movie adaptations never manage to get it quite right.

    _______________________________________________________________________________
    As you know, I've always got a few things with which I'm utterly obsessed at any given moment. Right now, in terms of TV and movies, it's Firefly, which is, being by Joss Whedon, beyond awesome. I've watched it before, of course, but not for a while. If I were as wittily quotable as the characters on that show...I'd probably have a successful career as a writer, but, oh well.
    Book-wise, I'm desperate to read Little Brother by Cory Doctorow. I'm a young-adult reviewer, and this is probably going to be one of the best YA books of the year, and yet tracking down a copy (not a free download, I love the idea of free downloads, but I love holding a book in my hands even more) is proving rather difficult.
    Music-wise, I'm going through a Massive Attack phase, again. Massive Attack has been one of my favourite bands since I was about 15 (I don't do change well, and once I love something, I tend to love it forever). I was enthusing before about Joss Whedon's brilliant wittiness, and Massive Attack has it too, in a different way. Mostly, I prefer music with interesting lyrics, and Massive Attack certainly is the top of the clever-lyrics brigade:
    'I'm a little curious of you in crowded scenes/And how serene your friends and fiends/We flew and strolled as two eliminated gently/Why don't you close your eyes and reinvent me?' - Mezzanine
    'I was looking back to see if you were looking back at me/To see me looking back at you' - Safe From Harm
    My personal favourite comes from Teardrop: 'Love, love, is a verb/Love is a doing word'. Mimi scornfully said 'that's just about having sex, Ronni', and I got into a fight with Raphael and [livejournal.com profile] romen_dreamer over whether this song is about drugs. ([livejournal.com profile] romen_dreamer said, 'So, what, if you don't know what it's about, it's automatically about drugs?") I personally think most of the songs are about having sex while on drugs. While being completely witty about it, of course...

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